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劇情提要
他是個普通的家庭主婦暫無內容是的,暫無內容直到我加入盛宴。暫無內容每月一次,暫無內容我是誰加入暫無內容SM暫無內容協會。暫無內容秘密的盛宴,暫無內容開始的承諾,暫無內容不沮喪,暫無內容以彼此的私人生活。暫無內容被責備的人的外表太美了。暫無內容在這個數字中,暫無內容大師漸漸的興奮起來了..。
暗夜精選
誤人子弟
林海峰,黃秋生,徐子淇,張達明,伍詠薇,葉廣儉,蘭茜女人
寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis泰勒·湯姆林森:浪女回頭
泰勒·湯姆林森佐藤妻夫物語
岸井雪乃,宮澤冰魚,藤原櫻,三浦獠太,田村健太郎,前原滉,山本浩司,八木亞希子,中島步,佐佐木希,田島令子,柳原晴郎西區故事
安塞爾·艾爾高特,瑞秋·齊格勒,阿麗亞娜·德博斯,大衛·阿爾瓦雷茨,邁克·費斯特,寇瑞·斯托爾,布萊恩·達西·詹姆斯,麗塔·莫雷諾,寇蒂斯·庫克,凱文·科索拉克,麥迪·齊格勒,朱利葉斯·盧比奧,杰米·哈里斯,阿蒂夫·拉尼爾,何塞·拉蒙·羅薩里奧,克麗絲·懷特赫德,凱爾·艾倫,塔莉婭·萊德,貝爾·邁克爾斯 ,哈維·埃文斯,戴維·比恩,凱爾·休斯,基思·勒克里德·哈里斯巨人來襲
時速72
弗蘭克·斯帕諾,喬治·阿克拉姆幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
機動戰士高達閃光的哈薩維
本作以哈薩維為主角,采取三部曲的形式,講述“逆襲的夏亞”之后的故事。