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印度超人前傳
瑞哈,赫里尼克·羅斯漢,普麗緹·澤塔,拉克什·羅斯漢,Prem Chopra,Rajat Bedi,喬尼·里沃,穆克什·里希鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁私房錢事件
劉瑋婷,張楚松,李婷婷,王迎奇圍困4
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka養鬼吃人5:直闖地獄
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姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇1945年抗戰勝利前夕,侵華日軍第七三一部隊在哈爾濱平房區以“給水防疫”為名,秘密進行慘無人道的細菌戰研究,大肆抓捕平民進行活體實驗,妄圖以此扭轉敗局。小販王永章(姜武 飾)等人被強行抓入“特設監獄”,日軍以“配合健康檢查與防疫研究即可換取自由”的虛偽承諾,欺騙他們遭受凍傷實驗、毒氣實驗、活體解剖等極端折磨…… 影片通過平民視角揭露日軍反人類暴行,展現絕境下國人不屈的反抗精神,旨在讓世人銘記歷史,勿忘國恥,捍衛和平。
樂透大作戰
高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫即將退伍的南韓兵長千禹(高庚杓 飾),某天意外在緊繃的南北韓軍事線附近,撿到一張飄向自己的頭獎彩券,之后卻一個不小心,讓這張彩券乘風飄向無法涉足的北韓…。為了靠57億獎金實現退伍夢想,他使出渾身解數尋找彩券,沒想到竟被北韓士兵榮浩(李伊庚 飾)給撿到…。跟彩券擦身而過的 千禹,以及在北韓不過是張紙片,必須到南韓把彩券換成獎金的榮浩,再加上意想不到的成員們共同加入,雙方為了死守這57億巨額獎金,決定“越線”展開驚險刺激的機密協商······
失蹤兒童錄像帶
杉田雷麟,平井亞門,森田想,藤井隆敬太(杉田雷麟 飾)的弟弟日向很久之前,在山中失蹤。敬太一直還在尋找弟弟。一天,他突然收到母親寄來的一盤舊錄像帶,里面是弟弟失蹤瞬間的錄像。 敬太擅長通靈的室友(平井亞門 飾)從錄像帶中感受到了不祥的氣氛,并勸敬太不要過多地介入其中。 隨后,他倆與一直報道此事的記者 美琴(森田想 飾)共同前往了弟弟失蹤的那座山。
霹靂大喇叭
洪金寶,張學友,王祖賢,姜大衛,馮淬帆,秦沛,胡楓,林正英,元華,元奎,張堅庭陳文俊(洪金寶 飾)和張定其(張學友 飾)只是警隊中的無名小卒,卻在機緣巧合之下被指派到神探(姜大衛 飾)手下助其偵破“千面人”之案。沒想到,一場意外中神探不幸喪生,可是,心愿未了的他顯然不愿就此歸去,而是化為冤魂,纏上了陳文俊和張定其兩人,要他們破案為自己報仇。 神探威脅陳文俊,若不幫他報仇,就要破壞他和女友喬娜(王祖賢 飾)之間的姻緣。經不住神探的死纏爛打和卑鄙威脅,個性膽小怕事的陳文俊只能答應下來。就這樣,陳文俊和張定其開始了對案件的追查,在神探的暗中幫助下,他們最終將罪犯捉拿歸案,陳文俊和喬娜亦有情人終成眷屬。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster