最差勁 最低。
結婚多年的惠子（森口彩乃 飾），發現丈夫寧愿看色情片解決需求也不愿親近自己。賭氣的惠子找到一家經紀公司，雖然緊張局促，卻最終通過面試。心中懷著焦灼煩惱的女子，選擇涉入這個不被世人理解的灰色產業；獨自上京打拼的彩花（佐佐木心音 飾）是一名專業AV女優，即使以藝名出道，可隨著作品增多，名氣變大，她的工作性質也逐漸為家人知曉。為此，母親專門趕到東京規勸女兒；普通高中，美艷的教師（高岡早紀 飾）令人頭暈目眩，然而她曾經擔任過AV女優的過往也被學生們挖了出來，這讓她的女兒（山田愛奈 飾）大為震驚。面對女兒的質問，母親坦然承認一切。 每個人都有所要背負的百色人生……
在線看
同款熱播
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法國鄉野荒原，米卡與丹懷揣夢想卻厄運纏身。當丹再次搞砸一切，兩人被迫投奔發跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們，必須找到出路：逃離此地、擺脫麻煩、沖破生存困境。
刺殺小說家2
鄧超,董子健,雷佳音,王圣迪,丁程鑫,王彥霖,鄧飛,張震,辛芷蕾,郭京飛,常遠陷入人生低谷的小說家路空文（董子健 飾）被巨大的誘惑牽引，導致他自己和書中的角色都陷入了不可逆轉的危機。最終小說家找回了信念，與書中人一起拯救了雙世界危機。
衛兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾故事發生在塞內加爾的大型建筑工地附近，晚上工人們與一名男子發生了沖突，男子的哥哥在工地因工傷喪生。
三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達范,沙爾曼·喬希,奧米·瓦依達,博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據印度暢銷書作家奇坦·巴哈特（Chetan Bhagat）的處女作小說《五點人》（Five Point Someone）改編而成。法蘭（馬德哈萬 R Madhavan 飾）、拉杜（沙曼·喬希 Sharman Joshi 飾）與蘭喬（阿米爾·汗 Aamir Khan 飾）是皇家工程學院的學生，三人共居一室，結為好友。在以嚴格著稱的學院里，蘭喬是個非常與眾不同的學生，他不死記硬背，甚至還公然頂撞校長“病毒”（波曼·伊拉尼 Boman Irani 飾），質疑他的教學方法。他不僅鼓動法蘭與拉杜去勇敢追尋理想，還勸說校長的二女兒碧雅（卡琳娜·卡普 Kareena Kapoor 飾）離開滿眼銅臭的未婚夫。蘭喬的特立獨行引起了模范學生“消音器”（奧米·維嘉 Omi Vaidya 飾）的不滿，他約定十年后再與蘭喬一決高下，看哪種生活方式更能取得成功。 本片獲孟買電影博覽獎最佳影片、最佳導演、最佳配角（波曼·伊拉尼）、最佳劇本等六項大獎，并獲國際印度電影協會最佳影片、最佳導演、最佳劇情、最佳攝影等十六項大獎。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阿里
安德拉尼克·馬奈,帕斯卡爾·雷內里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena阿里曾是一位年輕的教師，他辭去了工作，卻被父親無情地趕出了家門。在感到迷茫和孤獨之際，他重新找到了舊友，這一舉動觸發了他一段深刻的自我探索之旅。