以牙還牙

★ 8.8 播放:73萬 更新:2026-04-28

年輕時間的海倫最為尺度的劇情戲,一個意圖QJ受害者設法從她的攻擊者逃走,但離開這里的錢包后面。擔心他可能點擊這里查看房子和完成他已經開始,她接觸的警察,但他們都無法幫助,說她有沒有證據。 ;如果他呼吁,讓我們知道,我們會派一個人圓!;良好的脂肪負荷,這將是。在這里,最擔心的是實現的時候,獨自一人一天在家里,在這里攻擊者訪問和嘗試再次2QJ在這里。允許的情況下不會在這里只有兩個抵御攻擊,但轉敗為勝并鎖定他帶走。而這也正是這里的窘境真正開始。難道她釋放他,并冒險再次發作?難道她去警察局和風險被稱為一個騙子?還是她殺了他 - 而成為低至他嗎?   

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劇情簡介

年輕時間的海倫最為尺度的劇情戲,一個意圖QJ受害者設法從她的攻擊者逃走,但離開這里的錢包后面。擔心他可能點擊這里查看房子和完成他已經開始,她接觸的警察,但他們都無法幫助,說她有沒有證據。 ;如果他呼吁,讓我們知道,我們會派一個人圓!;良好的脂肪負荷,這將是。在這里,最擔心的是實現的時候,獨自一人一天在家里,在這里攻擊者訪問和嘗試再次2QJ在這里。允許的情況下不會在這里只有兩個抵御攻擊,但轉敗為勝并鎖定他帶走。而這也正是這里的窘境真正開始。難道她釋放他,并冒險再次發作?難道她去警察局和風險被稱為一個騙子?還是她殺了他 - 而成為低至他嗎?   

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儀式2024

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等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.