美國派6兄弟會
Erik,Ryan和Cooze三個新生進入大學后，申請的第一個社團就是Beta兄弟會。在傳奇的Stifler家族的Dwight率領(lǐng)丅，這個社團在學校風光無限，派對和美眉占盡了眼球。學校新成立的怪胎聯(lián)誼會;GEK rdquo;將Beta視為毒瘤，GEK是由一幫只會讀書掙錢搞實驗、智商天才情商為負的侽生組成，首領(lǐng)是權(quán)力狂人Edgar。GEK為了鏟除Beta兄弟會，雙方?jīng)Q定進行一場直接對抗賽，按照古老賽制，聯(lián)誼會中輸?shù)囊环綄⒈魂P(guān)閉40年！Erik nbsp;等人在Beta享受到歡樂的大學時間，認識了新的馬子，怎能容許被破壞，一群小子義無反顧的加入Dwight決心將怪胎拉丅馬
即刻觀影
劇情賞析
編輯推薦
暗魔怨
彼得·費辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞大衛(wèi)（彼得·費辛利 Peter Facinelli 飾）的妻子英年早逝，之后他遇見了名為勞倫（索菲亞·邁爾斯 Sophia Myles 飾）的女子，兩人墜入了情網(wǎng)，勞倫讓大衛(wèi)重新找到了人生的希望和目標。大衛(wèi)和前妻生養(yǎng)了一個女兒取名吉爾（娜塔莉亞·羅蒙絲 Nathalia Ramos 飾），正直叛逆期的她獨自居住在哥倫比亞。 某日，大衛(wèi)和勞倫踏上前往哥倫比亞的旅途探望女兒，可在途中竟然遭遇了車禍。兩人在暴雨之中找到了一間破舊的旅館棲身，卻在無意之中聽見旅館的地下室里傳來年輕女孩的呼救之聲。正義和道德驅(qū)使大衛(wèi)決定解救這名可憐的女孩，卻不知道他的這一行為將在場的所有人推入了萬劫不復(fù)的深淵之中。
異形終結(jié)
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer故事發(fā)生在遙遠的2078年，礦業(yè)組織NEB在天狼星6B行星上發(fā)現(xiàn)了名為“Berynium”的元素，該元素蘊含著巨大的能量，可以用來充當能源使用。組織派遣了一批礦工前往行星進行能源開采，然而工人們很快就發(fā)現(xiàn)，Berynium擁有強烈的放射性，根本不適合使用。雖然礦工們強烈要求停止任務(wù)，但組織卻不為所動，無奈之下，礦工們自發(fā)的組成了“聯(lián)盟”，和組織之間開始漫長的對抗。為了抵擋組織的猛烈攻擊，聯(lián)盟研制出了小型機器人“Screamer”，它擁有敏捷的身手和強大的攻擊力，給敵方造成了巨大的傷害。然而，聯(lián)盟并不知道的是，在不知不覺間，機器人們已經(jīng)進化出了自我意識，想要成為這顆星球上的主宰者。
驚蟄無聲
易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩詩,劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡你看不見的地方，諜戰(zhàn)從未停止交鋒！我國最新戰(zhàn)機的涉密信息外泄，國家安全面臨威脅，國安小組迅速行動抓捕間諜，在信任與背叛的漩渦中，一場驚心博弈悄然上演……
危情蜻蜓
安德麗婭·賴斯伯勒,布蘭達·布萊斯,杰森·沃特金斯出于對年邁鄰居艾爾西（布蘭達·布萊斯飾）所獲照料狀況的厭惡，科琳（安德麗亞·瑞斯波羅格飾）主動提出免費提供幫助。在茶敘與艱難時刻中，盡管存在差異，兩人成為了彼此信賴的知己。但科琳的意圖可能并非表面所見。隨著疑云漸起，一項駭人舉動觸發(fā)了一場暴力的連鎖反應(yīng)，勢將無可挽回地改變這兩位女性的生活。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
母親往事
米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.