春香傳的陽光房
18世紀后期朝鮮淑宗時代,前院副使公子李夢龍(曹承佑飾)在端午節那天遇到了成春香(李孝貞飾),一個母親曾是妓女的美麗少女。嬌俏的春香留下句謎語給他,“大雁隨魚飛,蝴蝶隨花舞,小蟹隨貝居”。夢龍左思右想,終于猜到謎底,晚上前去拜會春香。盡管地位懸殊,倆人的感情日益加深。然而,好夢不長,夢龍父親因為政績顯著,升遷至大內,夢龍必須離開南原趕赴漢城,他許諾等他通過了殿試,必將把春香接到漢城作為合法妻子。南原御使卞學道(李政憲飾)看中春香美貌,搬出法律條文“一入娼門則永世為妓”誣陷春香是妓女。春香寧死不屈,惱羞成怒的御使毒打她,并以莫須有的罪名將她投入牢獄。春香唯一的依靠就是她的信念和夢龍的誓言。幸好此時夢龍已中狀元,成為欽差大臣來到當地,他拯救出春香并懲罰了御使的惡行
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18世紀后期朝鮮淑宗時代,前院副使公子李夢龍(曹承佑飾)在端午節那天遇到了成春香(李孝貞飾),一個母親曾是妓女的美麗少女。嬌俏的春香留下句謎語給他,“大雁隨魚飛,蝴蝶隨花舞,小蟹隨貝居”。夢龍左思右想,終于猜到謎底,晚上前去拜會春香。盡管地位懸殊,倆人的感情日益加深。然而,好夢不長,夢龍父親因為政績顯著,升遷至大內,夢龍必須離開南原趕赴漢城,他許諾等他通過了殿試,必將把春香接到漢城作為合法妻子。南原御使卞學道(李政憲飾)看中春香美貌,搬出法律條文“一入娼門則永世為妓”誣陷春香是妓女。春香寧死不屈,惱羞成怒的御使毒打她,并以莫須有的罪名將她投入牢獄。春香唯一的依靠就是她的信念和夢龍的誓言。幸好此時夢龍已中狀元,成為欽差大臣來到當地,他拯救出春香并懲罰了御使的惡行
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保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧舉起手來2:追擊阿多丸號
潘長江,郭達,劉小微吾輩本如斯
比爾·薩奇,安拜·柴爾德斯,朱莉婭·加納,凱莉·麥吉利斯,懷亞特·拉塞爾,杰克·戈爾杯酒人生
保羅·吉亞瑪提,托馬斯·哈登·丘奇,維吉妮婭·馬德森,吳珊卓,瑪麗路易絲·貝克,杰西卡·赫特,米茜·多蒂,邁克·康納·蓋尼,阿萊西婭·雷納,謝可·圖克馬尼安,肖恩·杜克,羅伯特·科瓦呂比亞,派崔克·蓋勒,斯蒂芬妮·法拉希,喬·馬里內利,皮特·丹尼斯,菲爾·里夫斯,萊茜·雷陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰人氣佳作
余下的就是沉默
馬魯斯·弗瑞爾·維扎德,奧維度·尼庫勒斯庫,米萊拉·澤塔,米哈伊·格魯亞·桑杜,瓦倫丁·波佩斯庫,尼庫·米霍奇,西爾維烏·比瑞斯跳出去
張雨綺,立威廉,姚文雪,袁祥仁,彭敬慈,馮勉恒,吳彥祖,李尚正,高寶云逆時追兇
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王一鳴,任珅,梁國榮導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
從此以后
當Claire的女兒在一次瀕死體驗后表現出越來越令人不安的行為時,她開始相信自己的女兒把邪惡的東西從另一個世界帶回來了。
妖星哥拉斯
不明妖星哥拉斯在茫茫宇宙中不斷前進,沿途吸附大量的星際飛行物,不斷的變龐大,日本的觀測宇宙船隼號,為了探明其質量大小,不幸被一起吸附,但是其在最后關頭向地球發出了其質量數據,使地球上的人對其有了個初步認識,后經科學家計算測定,其質量為地球的6100倍,而且將在45天后與地球相撞。 為阻止地球與哥拉斯的相撞,科學家想出了一個大膽的辦法,就是運用水素離子裝置在南極造一個噴射基地(類似與火箭發射器),讓地球動起來,在哥拉斯到來之前,使地球移動到其他軌道.等哥拉斯安全通過后,然后在北極在建個基地,使地球在回到原來的預定軌道。 計劃實施的非常順利,全世界各國在國聯的帶領下在南極建立了基地,但是由于在南極建造基地,在火焰發生器的作用下讓長眠在南極的海象怪獸蘇醒了,并破壞了一部份基地,后來,在飛機導彈的攻擊下,怪獸死了,但由于怪獸的破壞,火箭發生器推遲了時間,到底地球能不能脫離哥拉斯的吞噬呢?