維京家的花俏老處女
在意大利的一所家庭,一個(gè)大齡剩女所發(fā)生的一些有趣的事情,劇情中或出現(xiàn)一個(gè)美少年向往愛情的萌芽舉動(dòng) hellip; hellip;
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天啟四騎士
丹尼斯·奎德,章子怡,盧·泰勒·普奇,小克利夫頓·克林斯ChaO,我代表人類跟人魚結(jié)婚了
鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕全面追緝令
摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內(nèi)洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾大話修仙
孫槐志冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,風(fēng)林火山
金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩雅,甘國亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程?hào)|,狼森,尼克·福特同類推薦
運(yùn)鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰影片講述了一場(chǎng)震驚全國的特大運(yùn)鈔車搶劫案發(fā)生后,嫌疑人小寶在無現(xiàn)場(chǎng)犯罪證明情況下金蟬脫殼,然而犯罪的種子已然在心中生根發(fā)芽,伴隨著時(shí)間野蠻生長,終將在警方的明察秋毫中爆裂迸發(fā)……
箭下的約翰娜
伊達(dá)·梅金·赫林斯多蒂爾,Grímur Hlynsson,Torgils Hlynsson,Elín ósk óskarsdóttir,Hrafn Tráinsson三個(gè)兄弟姐妹制作了一個(gè)騎士般的人物,結(jié)果卻射出了一連串的箭。隨著季節(jié)的推移,我們觀察了他們的生活,因?yàn)樗麄兌荚诮ㄔ旌筒鸪麄儽普娴淖髌贰?/p>
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新咒怨(美版)
安德麗婭·賴斯伯勒,德米安·比齊爾,約翰·趙,林·沙燁,貝蒂·吉爾平,威廉·賽德勒,杰基·韋佛,塔拉·維斯特伍德,佐伊·費(fèi)什,弗蘭基·費(fèi)森,南希·索瑞爾,喬爾·加蘭,布拉德利·索茨基,埃內(nèi)斯托·格里菲思一名年輕的單親媽媽兼警探莫頓發(fā)現(xiàn)郊區(qū)的一間房子遭到一個(gè)復(fù)仇怨靈所詛咒,這使進(jìn)入房子內(nèi)的人都會(huì)慘死。進(jìn)入被詛咒的屋子中的她們必須設(shè)法從中救出自己和她的兒子,以免受怨靈的襲擊。
陰陽師2
野村萬齋,深田恭子,中井貴一,伊藤英明,市原隼人平安時(shí)代,百鬼夜行,封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子(深田恭子 飾)戎裝登場(chǎng),一箭命中靶心,引來全場(chǎng)驚嘆。這位被喻為“連鬼都不敢接近”的公主,卻令源博雅(伊藤英明 飾)暗自傾心。天現(xiàn)異象,京都騷動(dòng),魍魎橫行。平安京已有四人遇害,民間出現(xiàn)驅(qū)鬼術(shù)士幻角(中井貴一 飾),日美子亦在異象后開始?jí)粲巍2┭艦榇颂嬗掖蟪紒碚?qǐng)安倍晴明(野村萬齋 飾)商談。與此同時(shí),宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動(dòng)。晴明受天皇所托,與博雅開始調(diào)查種種異況背后出云與大和的隱秘淵源。 博雅和夜彈琵琶的神秘少年須佐(市原隼人 飾)相識(shí)為樂友,須佐負(fù)傷被日美子所救,三人在右大臣府邸相逢。同一時(shí)刻,右大臣主動(dòng)找到晴明,坦白了十八年前天現(xiàn)異象時(shí),大和攻打出云的事實(shí)…… 本片為電影《陰陽師》續(xù)作。