極樂酷刑

? 7.1 播放：03萬 2026-04-23

明朝年間，有一無賴魏進忠(林劍峰飾)仰羨先朝大太監劉瑾(麥家【《赤裸紅唇》短評：我記得監制是程小東啊,開頭那個很是誘惑...看完DVD后發現只有開頭的那一幕驚艷，斷定此片一定有刪減。封面黨的噱頭，普通的港產犯罪片。】琪飾)之榮華貧賤，特意結識孫太監望能引領入宮。一日，魏與孫欣賞奇技淫巧之雜耍扮演時，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得知后乞求魏同赴私奔，出走當晚，泰其向魏發揮極樂酷刑秘技，魏獲真傳后，殺掉泰其并割其首級及自宮陽物呈于孫太監以作贖 

在線觀看

? 播放 極樂酷刑

劇情提要

明朝年間，有一無賴魏進忠(林劍峰飾)仰羨先朝大太監劉瑾(麥家【《赤裸紅唇》短評：我記得監制是程小東啊,開頭那個很是誘惑...看完DVD后發現只有開頭的那一幕驚艷，斷定此片一定有刪減。封面黨的噱頭，普通的港產犯罪片。】琪飾)之榮華貧賤，特意結識孫太監望能引領入宮。一日，魏與孫欣賞奇技淫巧之雜耍扮演時，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得知后乞求魏同赴私奔，出走當晚，泰其向魏發揮極樂酷刑秘技，魏獲真傳后，殺掉泰其并割其首級及自宮陽物呈于孫太監以作贖 

暗夜精選

限時營救2025

凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy Striar

創圣大天使：一發逆轉篇

寺島拓篤,嘉數由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇

莎拉的石油

扎克瑞·萊維,Naya Desir-Johnson,索尼夸·馬丁-格林,加瑞特·迪拉胡特,梅爾·羅德里格斯,布里吉特·瑞根,斯特里奧·薩萬特,Marco Fuller,湯姆·歐默,瑪利亞·米切爾,Ryan O'Quinn,羅伯特·古德曼,喬納森·利普尼基

離奇劇院

烏多·基爾,維吉尼亞·紐科姆,卡特里娜 馬科爾,艾米莉婭·戈薩姆,維多利亞·莫蕾特,麗莎·貝爾,安德烈·赫尼克,蘇珊·安貝赫,哈維·弗里德曼,戴比·露珍,湯姆·薩維尼,卡內赫迪奧·霍恩,琳恩·勞里,杰西卡·瑞默斯,艾麗莎·道林,杰夫·迪倫·格雷厄姆,達蒙·帕卡德,惠特尼·穆爾,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill

兩個世界一個愿望

漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen

鬼店另有主

薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯

對魚的布道

拉納·阿斯加洛娃,奧爾汗·依斯干達里,侯賽因·納西羅夫

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

愛的藝術

　　故事發生于20世紀的德國，在一片茂密的森林里，隱藏著一所不為人知的神秘學校。在學校里，生活著一群年輕的女孩們，沒有人知道她們是從哪里來的，就連她們自己也不太清楚。所有人仿佛一生下來就已經身在這閉塞的高墻之內，完全不知道外面還有著更廣闊的的世界。　　海達拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學校里的學生，當她們開始質疑起她們的生活和過去時，原本維系著學校內事務正常運作的條條框框都開始失去功能，兩個女生的神秘失蹤更是為此增添了不安定的因素。