桃色兇車

★ 6.3 播放：09萬 更新：2026-04-23

女主被老板叫到家里打字，老板夫婦晚上都不在家。第二天早上老板讓女主送他們?nèi)C場。本來女主應該送完還車，可女主沒見過海，就一路從巴黎往南開。途中遇到咖啡廳大媽說認識她；在加油站遭到襲擊，員工說沒有人襲擊她，但昨晚見過她；開夜車遇到警察也說見過她；住的酒店已經(jīng)在前一天登記過。酒店里一夜情的男子騙了她車，當她找到車時，發(fā)現(xiàn)后備箱有具尸體。一夜情男子追上他說偷車之前 　　

在線播放

劇情簡介

女主被老板叫到家里打字，老板夫婦晚上都不在家。第二天早上老板讓女主送他們?nèi)C場。本來女主應該送完還車，可女主沒見過海，就一路從巴黎往南開。途中遇到咖啡廳大媽說認識她；在加油站遭到襲擊，員工說沒有人襲擊她，但昨晚見過她；開夜車遇到警察也說見過她；住的酒店已經(jīng)在前一天登記過。酒店里一夜情的男子騙了她車，當她找到車時，發(fā)現(xiàn)后備箱有具尸體。一夜情男子追上他說偷車之前 　　

導演精選

那個人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

失真的畫

　　五年前，一系列模仿名畫場景的連環(huán)殺人案轟動紐約城，警探斯坦（Willem Dafoe 飾）受命調(diào)查此案，然而卻遲遲沒有進展，令其飽受輿論壓力。斯坦以少女克莉斯特（Samantha MacIvor 飾）作誘餌吸引兇手，雖然成功擊斃嫌疑犯艾迪，卻也導致克莉斯特慘遭殺害。　　艾迪一案使斯坦得到警署嘉獎，順利升職，不過他的心中始終對遇害少女懷有愧疚，并且此案背后似乎另有隱情。心中承受巨大內(nèi)疚之情的斯坦沉溺酒精，愈加孤僻。五年后，類似案件再次出現(xiàn)，兇手似乎有意以斯坦為目標發(fā)出赤裸裸的挑戰(zhàn)。斯坦不僅要面對這個狡猾且智商極高的對手，更要面對長久以來困擾自己的心魔……