現代白蛇艷潭
白蛇白素貞(陳蓓琪)自被法海和尚(楊澤霖)收懾了壓在雷峰塔底已近千年,但終于都被白蛇逃走,來到這個現代的大都市找尋愛郎許仙(傅偉祈)和情如姊妹的丫環小青蛇小青(邱玉茹)。 nbsp; 法海和尚不甘被白蛇逃脫,也追蹤來到這個現代的都市,務求把白蛇捉回。 nbsp; 白素貞為逃避法海的追捕和施法迷惑,險些搭上了性命,幾經艱辛才找到了生活在現代都市而事業也有成就的小青和許仙相認,但二人經過了千年來的不斷轉世輪回,以前的一切均已忘掉了,而現代許仙的女友寶寶(徐寶鳳)和小青男友皆認為事有蹊蹺,便與小青姊妹(于芷蔚)找靈媒(邵音音)占卜計算白素貞的身份,果然一切屬實,眾皆高興重逢。法海出現擄走了小青姊妹要脅白蛇跟他回去接受懲罰,幸靈媒仗義替眾人解危,更說服了法海和尚移民香港,不必回去封建專制的舊社會去,讓情花結果,玉成這段一可歌可泣的隔世情。
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劇情簡介
白蛇白素貞(陳蓓琪)自被法海和尚(楊澤霖)收懾了壓在雷峰塔底已近千年,但終于都被白蛇逃走,來到這個現代的大都市找尋愛郎許仙(傅偉祈)和情如姊妹的丫環小青蛇小青(邱玉茹)。 nbsp; 法海和尚不甘被白蛇逃脫,也追蹤來到這個現代的都市,務求把白蛇捉回。 nbsp; 白素貞為逃避法海的追捕和施法迷惑,險些搭上了性命,幾經艱辛才找到了生活在現代都市而事業也有成就的小青和許仙相認,但二人經過了千年來的不斷轉世輪回,以前的一切均已忘掉了,而現代許仙的女友寶寶(徐寶鳳)和小青男友皆認為事有蹊蹺,便與小青姊妹(于芷蔚)找靈媒(邵音音)占卜計算白素貞的身份,果然一切屬實,眾皆高興重逢。法海出現擄走了小青姊妹要脅白蛇跟他回去接受懲罰,幸靈媒仗義替眾人解危,更說服了法海和尚移民香港,不必回去封建專制的舊社會去,讓情花結果,玉成這段一可歌可泣的隔世情。
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描述一群青少年學生參加美國太空總署主辦的太空夏令營,親身體驗太空登月的操作環境。不料在一次意外中,他們乘坐的太空艙竟然真地發射升空,幾個年輕人登時六神無主,幸好有一個機器人留在艙中協助他們化險為夷。在眾多的太空科幻片中,哈瑞.溫勒導演本片較著重太空知識的傳遞而非眩目迷人的特效。外景在NASA 實地拍攝,有些地方頗令人大開眼界。凱特.卡普肖飾演女教官、利.湯普森、凱利.普雷斯頓飾演太空歷險的學生,但最討人喜歡的還是那個造型和表演都相當有趣的機器人。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
索命暹羅之按摩師
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