作家的謊言：筆忠誘罪 作家的謊言：筆忠誘罪 (2019)

? 7.8 播放：07萬 2026-04-25

被譽為最出色治愈系作家－徐哲，年輕、有樓、做著自己喜歡的事，是成功的典范。他的文字被譽為心靈雞湯，撫慰著無數(shù)讀者的心靈。從他的作品，可以知道他是個善良、有原則、愛妻顧家的好男人。然而，他的財富，卻是承繼父親所得。 一日，在徐哲家樓上的單位來了一個新租客，為徐哲平淡似水的生活帶來巨大沖擊；新租客Elaine是個美艷動人的時尚女子。某夜，Elaine突然陳尸屋苑平臺。警方接手調(diào)查，徐哲直認(rèn)自己被Elaine勒索，暴怒之下錯手推了Elaine落樓。案件本來應(yīng)該完結(jié)，但警方的心理專家蘇Sir在細(xì)心觀察徐哲之下，認(rèn)為他在說謊，而且整件事還存在不少疑點。 為尋找真相，蘇Sir窮追不舍。終于發(fā)現(xiàn)徐哲太太琦琦早知道徐哲與Elaine有染，這自然令蘇Sir懷疑琦琦因愛成恨，繼而殺人報復(fù)。究竟這是因為琦琦對徐哲的不忠展開報復(fù)，還是案中有案，局中有局？

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? 播放 作家的謊言：筆忠誘罪 作家的謊言：筆忠誘罪 (2019)

劇情提要

被譽為最出色治愈系作家－徐哲，年輕、有樓、做著自己喜歡的事，是成功的典范。他的文字被譽為心靈雞湯，撫慰著無數(shù)讀者的心靈。從他的作品，可以知道他是個善良、有原則、愛妻顧家的好男人。然而，他的財富，卻是承繼父親所得。 一日，在徐哲家樓上的單位來了一個新租客，為徐哲平淡似水的生活帶來巨大沖擊；新租客Elaine是個美艷動人的時尚女子。某夜，Elaine突然陳尸屋苑平臺。警方接手調(diào)查，徐哲直認(rèn)自己被Elaine勒索，暴怒之下錯手推了Elaine落樓。案件本來應(yīng)該完結(jié)，但警方的心理專家蘇Sir在細(xì)心觀察徐哲之下，認(rèn)為他在說謊，而且整件事還存在不少疑點。 為尋找真相，蘇Sir窮追不舍。終于發(fā)現(xiàn)徐哲太太琦琦早知道徐哲與Elaine有染，這自然令蘇Sir懷疑琦琦因愛成恨，繼而殺人報復(fù)。究竟這是因為琦琦對徐哲的不忠展開報復(fù)，還是案中有案，局中有局？

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

伊甸之槍

四名周末露營者被武裝民兵追捕。