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威廉·麥鮑瑟,布里特·馬靈,馬修-李·埃爾巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,魯伯特·雷德笨賊向前沖
馬有才,彤彤,杜玉明,許新宇,馬衛軍,彭波,王川,劉剛,劉波,王泇淇皇家酒店謀殺案
杰夫·布里吉斯,辛西婭·艾莉佛,達科塔·約翰遜,喬恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,劉易斯·普爾曼,尼克·奧弗曼,澤維爾·多蘭,謝伊·惠格姆,馬克·奧布萊恩,查爾斯·哈爾福德,吉姆·奧希爾,瑞貝卡·圖蘭,比利·威克曼,威廉·B·戴維斯,曼尼·賈希尼托,喬納森·懷特賽爾,凱瑟琳·伊莎貝爾,薩拉·史密斯第27天生死劫
吉恩·巴瑞,Valerie French,喬治·沃斯科維奇,阿諾德·莫斯,Stefan Schnabel,拉爾夫克蘭頓,Friedrich von Ledebur,保羅·伯奇飛砂風中轉
鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍臨冬
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超狗任務
杰森·李,艾米·亞當斯,彼特·丁拉基,詹姆斯·貝魯什,帕特里克·沃伯頓超人狗最初是一條在警隊服役的普通小獵犬,因為執行任務時的一次嚴重失誤,被革職。流落街頭的小獵犬被捉到一個動物研究所,邪惡的西蒙(彼德?定克拉吉 飾)博士在那里對流浪狗進行試驗,希望能創造出一條超人狗。 小獵犬大鬧實驗室,陰差陽錯成了超人狗,并逃了出去。研究所的一個保安在下班的時候遇見超人狗,并把它帶回家,希望借此改善和兒子的關系。 在家里,超人狗發現自己不但力量強大、速度驚人,而且還能說話和飛翔。在保安之子的鼓勵下,超人狗決定用自己的力量服務社會,與此同時,邪惡的西蒙博士則在琢磨怎么奪回超人狗,還計劃著一個陰險的陰謀……
奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White一位女歌手在目睹其一位歌迷詭異自盡后,身邊開始出現各種奇怪的微笑現象,其歌迷紛紛精神失常,開始瘋狂地微笑,對女歌手窮追不舍。
我的的士爸爸
高山,邢露勻,易莉,楊曦,陳梓桐,李嘉欣影片主要講述了一名出租車司機搭載了一名沉默寡言、行為異常的小女孩,偶然的一次搭載讓出租車司機和陌生的小女孩卷入了一連串充滿疑云的事件中,引發觀眾對人性、信任與危機的深度思考。
細骨小屋
賽迪·斯歐維奧,喬莉·理查德森,尼爾·林波在一場暴風雨中,兩個罪犯找到了一個看似廢棄的農場小屋避雨。他們挾持了里面的居民,但沒有想到,這個看似廢棄的小屋有著自己的秘密......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.