大學(xué)二年級(jí)學(xué)生瑪麗亞有機(jī)會(huì)與已故的父親團(tuán)聚，于是她加入了路易斯領(lǐng)導(dǎo)的超自然學(xué)術(shù)小組。然而，他們的科學(xué)冒險(xiǎn)卻發(fā)現(xiàn)了一個(gè)古老的儀式，而這個(gè)團(tuán)體注定要參與其中。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　該片講述了新時(shí)代，主人公陳建國(guó)回到家鄉(xiāng)，憑借創(chuàng)新精神和不懈努力，將曾經(jīng)“臟亂差”問題突出的家鄉(xiāng)成功打造為遠(yuǎn)近聞名的民宿旅游村，不僅帶動(dòng)了鄉(xiāng)村經(jīng)濟(jì)的蓬勃發(fā)展，顯著改善了村民的生活環(huán)境，更是引領(lǐng)村民踏上了共同富裕的小康道路，深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔(dān)當(dāng)以及鄉(xiāng)村發(fā)展的巨大潛力。

　　故事背景設(shè)定在星際殖民的未來(lái)時(shí)代，神秘的漂泊者賽（凱南魯茲飾）遇見了為地球外軍事承包商艾克索工作的中尉肯恩（丹尼爾麥佛森飾），這對(duì)背景南轅北轍的搭檔，必須在艾索克掀起的星球危機(jī)中，同心協(xié)力救出肯恩的小女兒，而為了理念背叛神通廣大的艾索克的兩人，除了必須面對(duì)天羅地網(wǎng)般的追捕，還得戰(zhàn)勝游蕩在荒蕪星球上的野蠻生物。