団鬼六 薔薇的肉體 団鬼六 薔薇の肉體 (1978)

? 7.4 播放:50萬 2026-04-26
主演:谷ナオミ 亜湖 

かすかな鈴の音が棘に変わる時、官能のうずきは花芯を突き抜ける。暴力団の出入りに絡んで刑務所入りした夫。その落とし前を組から迫られ、ラブホテルでいかがわしいショーを客に見せることで金を稼いでいた律子(谷)。しかし、それも今日で終わり。これで組とは縁が切れると、組事務所へ足を運んでいた彼女の手から、バイクの男が金を奪い取ってしまった。返済期限の延期を頼み込む律子。だが組長の宮原(高橋)は彼女を冷たくあしらい、弁護士の神島の女になれば許すという條件を出してきた。仕方なくライブショーに戻った律子だったが、その最中に、當局の手入れに遭ってしまう。そんな彼女を引き取りに來たのは、宮原と神島。全てが彼らの仕組んだ罠だと気付いた律子は神島の女になり、その情事を寫真に撮って全てを強請(ゆす)るのだったが…。谷ナオミがサドとして、鞭をふるい男を苛むシーンが拝める貴重な作品。鈴の音によって興奮。その豊満な肉體を自ら慰めるシーン、さらには亜湖との息を飲むレズ?プレイも見モノ。もちろん緊縛、吊るし、水責め等、“いたぶられ”も満載だ。

在線觀看

? 播放 団鬼六 薔薇的肉體 団鬼六 薔薇の肉體 (1978)

劇情提要

かすかな鈴の音が棘に変わる時、官能のうずきは花芯を突き抜ける。暴力団の出入りに絡んで刑務所入りした夫。その落とし前を組から迫られ、ラブホテルでいかがわしいショーを客に見せることで金を稼いでいた律子(谷)。しかし、それも今日で終わり。これで組とは縁が切れると、組事務所へ足を運んでいた彼女の手から、バイクの男が金を奪い取ってしまった。返済期限の延期を頼み込む律子。だが組長の宮原(高橋)は彼女を冷たくあしらい、弁護士の神島の女になれば許すという條件を出してきた。仕方なくライブショーに戻った律子だったが、その最中に、當局の手入れに遭ってしまう。そんな彼女を引き取りに來たのは、宮原と神島。全てが彼らの仕組んだ罠だと気付いた律子は神島の女になり、その情事を寫真に撮って全てを強請(ゆす)るのだったが…。谷ナオミがサドとして、鞭をふるい男を苛むシーンが拝める貴重な作品。鈴の音によって興奮。その豊満な肉體を自ら慰めるシーン、さらには亜湖との息を飲むレズ?プレイも見モノ。もちろん緊縛、吊るし、水責め等、“いたぶられ”も満載だ。

幕后花絮

雙龍出海

  貝多芬(岑建勛 飾)和阿秋(吳耀漢 飾)是一對好朋友,也是搞笑鬼馬的便衣搭檔。他們常將警局鬧得不可開交,連上司陳辦(陳欣建 飾)也頭疼不已。不過,自從阿秋和安娜(葉德嫻 飾)結婚之后,貝多芬就變得孤苦伶仃,可憐兮兮。最終貝多芬搬到了阿秋家,和這對小夫妻湊成一個笑料百出的三人世界。  陳辦不堪其擾,將二人調到素有“鯊魚田”之稱的田警司(田俊 飾)麾下,兩人被好好整了一番,苦不堪言。另一方面,陳辦在執行任務時被多年前的宿敵飛天蠄蟧(林正英 飾)陷害。貝多芬和阿秋深知老上司被冤枉,于是明察暗訪,發誓揪出幕后真兇……

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.