即刻觀影
劇情賞析
編輯推薦
吊人游戲
阿爾·帕西諾,布蘭特妮·斯諾,莎拉·夏希,卡爾·厄本,喬·安德森,杰梅因·里弗斯,謝勒·拉莫斯,邁克爾·帕帕約翰,斯蒂芬·考特爾,歐德莎·雷,朱爾斯·黑文,薇薇安娜·查維斯,馬特·默丘里奧,邁克爾·羅斯,德韋恩·博伊德,斯洛恩·沃倫,喬恩·亞瑟偵探雷·阿切爾(阿爾·帕西諾飾)和他的搭檔威爾(卡爾·厄本飾)聯手追捕城市中最臭名昭著的連環殺手。而這名令人聞風喪膽的連環殺手實則用“Hangman ”(上吊的人)的猜詞游戲犯案。
喜馬拉亞星
鄭中基,張柏芝,劉青云,應采兒,吳鎮宇,黃又南,徐天佑,李兆基,黃光亮,成奎安在喜瑪拉雅山長大的亞星（鄭中基）練有一身瑜伽好功夫，某日奉父母之命下山參加印度西施家族舉辦的瑜伽選夫比賽的途中，被恨嫁的大家姐（應采兒）纏住。為了阻止亞星參加比賽，大家姐想出把他變成人見人厭的壞小子的狠招，不想聯合三大惡人也沒能將亞星改變，不甘心之下，大家姐又找來以壞混世的大膽叔叔（吳鎮宇）。 可惜大膽叔叔與朋友驚青舅父（劉青云）及其兩個外甥已不幸被印度催眠術催眠，連自己是誰都不再曉得，然而亞星總算找到了領門人，賭場的兩頭神蛇把他教成了沉迷于賭博和吸毒的壞小子，此時，大家姐發現還是原來的亞星比較好，決定陪其一同喝下“印度神奇油”回到從前。
荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪規則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規則＂。青年男女結伴夜闖陰山鬼林，破壞規則，導致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個美艷女子突然被鬼現鎖喉，另一個精壯青年又被鬼爪掏心……陰風陣陣，尖叫四起，一場排隊送人頭的祭獻大戲陰森上演，生者想死無門，卻又無處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現行，終極＂規則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰栗？
最終荷載
Judd Nelson,杰夫·法赫,德魯·沃特斯,瑪迪·亨德森Pierce Butler, a former Marine and long-retired marijuana smuggler, whose wife is suffering from a rare type of cancer, must return to his drug-running ways and make one Final Load in order to save his house, his company, and his wife.
相見好
鐘鎮濤,周慧敏,邱淑貞,鐘楚紅,盧冠廷,鄭丹瑞,關秀媚,盧業瑂,陳國新,查傳誼,盧雄,黃錦江,郭德信一場意外讓小櫻（鐘楚紅 飾）和阿霖（鐘鎮濤 飾）相識了，隨著時間的推移，兩顆心越靠越近，兩人最終走到了一起。沒過多久，他們就決定搬到同一屋檐下，開始了同居生活。可是，零距離的接觸在令他們更加親密的同時也帶來了很多的隱患，小櫻和阿林都感覺多，兩人的個性并不是表面上看起來的那么合拍。久而久之，這段感情開始出現了裂痕。 阿林是一名操盤手，他的介入導致了他的一個朋友賠錢賠到傾家蕩產，而這件事情也促成了他和小櫻之間的決裂。和小櫻分手后，阿林痛定思痛，內心充滿了愧疚的他決定不惜丟掉工作也要揭露股市中的隱藏的陰謀。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.