妙賊計劃

★ 9.1 播放：38萬 更新：2026-04-23

;偷糖果 rdquo;的是在最后一捻另一個預(yù)算不多的犯罪驚悚片。這些曲折成為強制性的，它是關(guān)于時間，這些電影試圖意想不到的，并沒有包括一個扭曲。這將真正是一個令人震驚的結(jié)局。 無論他們的預(yù)算并沒有轉(zhuǎn)化成任何有趣的從生產(chǎn)設(shè)計的角度來看。 A組的朋友可以出手這一個周末，在自己的家園。從技術(shù)上講，它是一個堅實的生產(chǎn)雖然很少嘗試。槍打看起來不夠逼真。 　　

在線播放

劇情簡介

;偷糖果 rdquo;的是在最后一捻另一個預(yù)算不多的犯罪驚悚片。這些曲折成為強制性的，它是關(guān)于時間，這些電影試圖意想不到的，并沒有包括一個扭曲。這將真正是一個令人震驚的結(jié)局。 無論他們的預(yù)算并沒有轉(zhuǎn)化成任何有趣的從生產(chǎn)設(shè)計的角度來看。 A組的朋友可以出手這一個周末，在自己的家園。從技術(shù)上講，它是一個堅實的生產(chǎn)雖然很少嘗試。槍打看起來不夠逼真。 　　

導演精選

“騎”逢對手

　　影片講述善良的外賣騎手劉大鵬偶然救了一位富翁，對富翁千金馬小蕓一見傾心，而馬小蕓正陷入一場險惡圈套中，劉大鵬挺身而出，幫助馬小蕓戰(zhàn)勝邪惡的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

母親2020

　　本片是根據(jù)實際發(fā)生的「少年殺害了祖父母事件」的構(gòu)思而改編成電影的嶄新故事。長澤扮演懶散奔放的母親·秋子，挑戰(zhàn)墮入了社會黑暗面的女人，而阿部サダヲ則飾演與秋子沒有結(jié)婚登記而同居的丈夫·遼，影片將重點刻畫秋子和她年幼的兒子·周平（郡司翔）之間所展開的關(guān)系。