在線播放
劇情簡(jiǎn)介
ami美(Amami)是新來(lái)者,她擔(dān)心自己的銷(xiāo)量不會(huì)達(dá)到預(yù)期。 澤崎社長(zhǎng)一起拜訪客戶,教Am美如何做生意。 Am木的要求立即拒絕了Amami合同的客戶, ami美問(wèn)她成功的秘訣。 Sawaki告訴服務(wù)對(duì)象做他或她做的事情以及口交。 ami美驚訝于外表,加入了前所未有的性?shī)蕵?lè)活動(dòng)。。
同類(lèi)好片
摩斯拉1996
小林恵,山口紗彌加,羽野晶紀(jì),二見(jiàn)一樹(shù),藤?zèng)g麻彌,萩原流行,田中ひろ子,荒川強(qiáng)啓,寺尾聰,大寶智子,須藤真里子,高橋ひとみ,梨本謙次郎天啟Z:完結(jié)的起點(diǎn)
何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德?tīng)枴だ飱W,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María樂(lè)透大作戰(zhàn)
高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫冬脊
馬特·霍金斯,奧爾雯·凱瑟琳·凱莉,漢娜·沃丁厄姆火拼
方中信,呂良偉,安志杰,張繼聰,陳家樂(lè),錢(qián)嘉樂(lè),陳國(guó)邦,張文杰,馬思惠,沈震軒單獨(dú)之戀
凱文·詹姆斯,喬納森·魯米,金·寇茲,艾莉森·漢尼根,朱莉·安·埃默里,妮可·吉瑪多,茱莉·塞爾達(dá),朱莉婭·梅西娜人氣佳作
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅蛛網(wǎng)男孩
伍迪·諾曼,麗茲·卡潘,安東尼·斯塔爾,克利歐佩特拉·科爾曼,埃倫·杜賓,黛博拉·熱切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽(yáng),賈冰,王安宇,陳永勝,馮紹峰,郝瀚千億之吻
段天恩,黎春進(jìn),麻蘭都,秋莊,范進(jìn)祿導(dǎo)演精選
特雷弗·諾亞:苦中作樂(lè)
從社交媒體差評(píng)到治療師的真相炸彈, 特雷弗·諾亞在這場(chǎng)搞笑、犀利又輕快的單口喜劇演出中將混亂變?yōu)橄矂 ?/p>
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
劫車(chē)王
白天,他們是隱形的——豪華酒店的服務(wù)員、女招待和調(diào)酒師。到了晚上,他們就是劫車(chē)者,一群熟練的司機(jī),在路上追蹤和搶劫富有的客戶。當(dāng)他們計(jì)劃最終的搶劫時(shí),酒店經(jīng)理雇傭了一名無(wú)情的殺手,不惜一切代價(jià)阻止他們。隨著危險(xiǎn)的臨近,諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績(jī)嗎?