風韻猶存的妮妲是一個單身媽媽，數年前她和老公的感情破裂，長久以來只同兒子阿頓生活在一起。妮妲靠在夜市賣電影光盤為生，巨大的壓力令她皈依一個名為“Who R U”的宗教社團。5年前，阿頓與母親發生爭執，隨即將自己反鎖房中，從此再未踏向外部世界。妮妲與阿頓德交流便是通過門縫下傳遞紙條來實現，憑借宗教賜予她的力量，妮妲似乎漸漸習慣這種不正常的生活。　　某電視臺恐怖節目編輯阿東是妮妲的常客，他得知阿頓的事情，告知妮妲這是一種被稱為“隱蔽青年”的自閉癥狀。阿東決定幫助阿頓走出房門，回到社會。他極其熱心地操辦此事，結果卻令他追悔莫及。而在這一過程中，妮妲內心塵封已久的記憶也被漸漸喚醒……

　　小說家丹尼爾（奧斯卡·馬丁內茲 Oscar Martínez 飾）從剛出道起事業就順風順水，如今更是獲得了諾貝爾文學獎的殊榮，攀登上了職業的頂峰，然而這榮譽卻并未帶給他滿足，恰恰相反，丹尼爾擔心名聲和財富會奪走他文學創作上的靈感與鋒芒。　　一晃眼五年過去，丹尼爾熱度不減，邀約和獎項不斷，可冷淡而又避世的他只教助手一一回絕。一封來自小鎮薩拉斯的信吸引了丹尼爾的注意，薩拉斯是他闊別已久的故鄉，如今邀請他踏上故土，接受“杰出公民”的獎項，在未告知媒體和朋友們的情況下，丹尼爾獨自踏上了返鄉的旅途，在那里，他再度見到了曾經的戀人艾琳（安德麗婭·弗里杰里奧 Andrea Frigerio 飾），如今的艾琳早已經嫁為人妻，而她的丈夫正是丹尼爾的舊友安東尼奧（達迪·布列瓦 Dady Brieva 飾）。

　　一名腐敗的新奧爾良偵探在放風時陷入兩個犯罪團伙之間的戰斗中。為了在夜晚生存下來，他必須找到一名殺手，并在兇手到達其他目標之前將他帶走

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.