即刻觀影
劇情賞析
編輯推薦
雛菊2006
全智賢,鄭雨盛,李成宰,姜大衛(wèi),林迪安阿姆斯特丹，兩個(gè)男人愛上了同一個(gè)女人，注定了一段糾纏的故事。惠瑛（全智賢飾）是畫家，每天到廣場幫路人畫肖像，而像她一樣風(fēng)雨不改的，還有某人送來的一盤雛菊。每天雛菊總是準(zhǔn)時(shí)送到，讓她心里悸動(dòng)而好奇。一天，匆匆而過的正佑(李成宰 飾)遇上了畫家。他本是國際警察，來這個(gè)城市追捕殺手，然而卻迷上了溫婉動(dòng)人的惠瑛，他讓惠瑛幫他描肖像，他們的愛情在萌發(fā)盛開。這些情景，送花人看在眼里，痛在心里。他的身份注定了他必須給正佑讓出位置，對(duì)惠瑛默默付出。因?yàn)椋褪钦铀鶎ふ业臍⑹謽懔x(鄭宇成 飾)。但是，強(qiáng)烈的愛終究讓他不再躲在暗處，他決心爭取幸福。二人在法律上，感情上的鮮明對(duì)立，注定了不能完滿的結(jié)局，鮮血在惠瑛描有雛菊的花布上蔓延開來……
驚變28年2：白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫斯托,Elliot Benn末日喪鐘再度敲響，帶領(lǐng)觀眾直視人性毀滅的煉獄，感染者的威脅和幸存人類的邪惡。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
Kill Tony：笑鬧德州
托尼·欣奇克利夫一分鐘、一支麥克風(fēng)、毫不留情。在奧斯汀舉行的殘酷演出中，托尼·欣奇克利夫及一眾著名嘉賓對(duì)立志成為喜劇演員的參賽者進(jìn)行考驗(yàn)。
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內(nèi),Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發(fā)生在1865年的法國南部，流浪漢狄默提（納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾）來到了這里，為了避人耳目，他假裝自己是聾啞人，在這里的一座小村莊中住了下來。在村子里，狄默提邂逅了名為約瑟芬（伊希爾·勒·貝斯柯 Isild Le Besco 飾）的女子，美麗善良的約瑟芬一下子就吸引了狄默提的注意。 約瑟芬的父親休斯（讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾）是一個(gè)熱情好客的男人，他慷慨的邀請(qǐng)狄默提來家里做客，可休斯的善意卻并沒有得到狄默提的回報(bào)。狄默提用一種古老而又邪惡的方法催眠的約瑟芬，將她帶進(jìn)深山老林之中肆意凌辱。
最后決戰(zhàn)
皮埃爾·若利韋,讓·布伊茲,讓·雷諾此片是盧貝松再影壇還沒沒無聞時(shí)，憑著一腔熱血，旺盛活力與爆發(fā)力， 突破一切傳統(tǒng)，掙脫一切商業(yè)機(jī)制下的樊籠，冒著無色彩，無對(duì)話，無明星等大諱所完成的電影。當(dāng)影片完成時(shí)，因宣傳無門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評(píng)審特別大獎(jiǎng)及影評(píng)人獎(jiǎng)，因而打開他的國際知名度。解剖核子戰(zhàn)后的文明廢墟，因?yàn)闊o色彩，所以這是一部黑白色調(diào)的電影。