中國性戲大觀

★ 7.3 播放：77萬 更新：2026-04-24

中國人如何看性，開放？保守是君子還是好色分子是男上女下的床上大悶蛋還是百招千式的變態性超人？種種疑問就連各界性學權威也答不到，其實答案只得一個

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中國人如何看性，開放？保守是君子還是好色分子是男上女下的床上大悶蛋還是百招千式的變態性超人？種種疑問就連各界性學權威也答不到，其實答案只得一個

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

阿爾菲1966

阿爾菲（邁克爾?凱恩 Michael Caine 飾）生活在繁華的大都市倫敦，平日里最大的愛好便是出沒于燈紅酒綠的聲色犬馬之場所。阿爾菲自認為是當代唐璜，流連于不同女人的溫香軟玉的懷抱之中，私生活十分混亂。                                                                      　　無論是未經人事的清純少女還是已有家室的成熟人妻，阿爾菲都會散發他強烈的男性魅力，將對方征服。就連在染病住院期間，阿爾菲都沒有放過和性感美艷的小護士共赴云雨的機會。某一日，阿爾菲邂逅了美麗的寡婦盧比（謝利?溫特斯 Shelley Winters 飾），讓前者沒有想到的是，自己的撩妹之術在盧比那里竟然全無作用。不僅如此，曾經對他趨之若鶩的女人們也都漸漸地離開了他。

喪尸特警

 兩位壯漢刑警在調查一起銀行劫案時，發現犯罪分子居然個個刀槍不入。根據線索，他們找到一家公司，似乎最近的很多案件都和這家公司的一個秘密實驗室有關。后來，此兩位硬漢在與犯罪分子的斗爭中不幸相繼殉職，但這恰好給他們創造了機會——兩個人亦成為試驗品，他們的尸體即將被一個懷揣著極大陰謀的邪惡博士所利用……然而，哼哼，英勇的人民公安是不會向犯罪集團低頭的，you can't keep a good cop dead！