天體主義十分鐘

? 9.0 播放：37萬 2026-04-23

別名：走十分鐘就是天體營，家庭照顧者布魯塞爾優勢的情況下他的顧客的反對在日落島的度假別墅換一個漂亮的財產......他們只是不知道一個小小的細節：島日落是100％的裸照！同時，Levantains抵達布魯塞爾，推動了一項指令，可以托衣服整個歐洲......

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? 播放 天體主義十分鐘

劇情提要

別名：走十分鐘就是天體營，家庭照顧者布魯塞爾優勢的情況下他的顧客的反對在日落島的度假別墅換一個漂亮的財產......他們只是不知道一個小小的細節：島日落是100％的裸照！同時，Levantains抵達布魯塞爾，推動了一項指令，可以托衣服整個歐洲......

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

莎拉的石油

　　一個出生在印第安區的黑人女孩意外繼承了一片充滿石油的土地，洶涌的黑金下，她將面對攫取、迫害、偏見、中傷，并用她的意外橫財去幫助他人。