大佛回國

皆為好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

罪生咒

　　與丈夫離婚后，Alice必須承擔(dān)起單親母親的全部責(zé)任，照顧她全心全意愛著的兒子August，一個好奇的小男孩。他從小就對A、他的父親和他自己的故事充滿疑問。就連他的母親也從未談起過他的父親，August15歲那年，神秘的故事開始一點一點地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現(xiàn)恐怖的原因。在試圖讓他認識到自己的業(yè)力同時，Alice相信理性和正義。Alice竭盡全力拯救她所愛的兒子。但她越是反抗并帶領(lǐng)August遠離現(xiàn)實，詭異和奇怪的事件不斷升級，直到August陷入危險。決定返回尋找過去的真相。August生命危在旦夕，當Lambam家的門打開時，里面的木樁從過去一直建到了現(xiàn)在，與她一起打開的是Lambam家的老管理員Cherd叔叔，他知道整個故事。業(yè)力和所欠的誓言已經(jīng)開始要求償還

別怕，是我

十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現(xiàn)在她家後院，請求她讓自己暫時藏匿。莉茲竟答應(yīng)幫忙，但前提是要她老公不在家。