禁忌4 Taboo IV: The Younger Generation (1985)

★ 6.0 播放：55萬 更新：2026-04-22

　　杰瑞米博士（杰米·吉利斯 Jamie Gillis 飾）是一位備受歡迎的性治療師，他經營著一個亂倫支持小組，其中包括喬伊斯和芭芭拉，他們與自己的兒子有著不正常的性關系。與此同時，杰瑞米還是一個極其嚴格的父親，他決定將自己的兩個女兒娜奧米和羅賓送到寄宿學校。然而，不幸的是，娜奧米在宿舍和男生發生性關系被抓個正著，于是被學校開除。與此同時，杰瑞米還發現了妻子愛麗絲與自己的弟弟比利有染的事實，憤怒之下，杰瑞米把妻子趕出了家門。 　　娜奧米選擇去和她的母親住在一起，后來比利叔叔透露他其實是她的親生父親。而羅賓則決定留在父親身邊生活。娜奧米對自己的叔叔和父親產生了引誘的欲望，而羅賓也開始對她的父親產生渴望。這一系列事件導致了家庭關系的崩潰，家庭的和諧被徹底打破。 

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劇情簡介

　　杰瑞米博士（杰米·吉利斯 Jamie Gillis 飾）是一位備受歡迎的性治療師，他經營著一個亂倫支持小組，其中包括喬伊斯和芭芭拉，他們與自己的兒子有著不正常的性關系。與此同時，杰瑞米還是一個極其嚴格的父親，他決定將自己的兩個女兒娜奧米和羅賓送到寄宿學校。然而，不幸的是，娜奧米在宿舍和男生發生性關系被抓個正著，于是被學校開除。與此同時，杰瑞米還發現了妻子愛麗絲與自己的弟弟比利有染的事實，憤怒之下，杰瑞米把妻子趕出了家門。 　　娜奧米選擇去和她的母親住在一起，后來比利叔叔透露他其實是她的親生父親。而羅賓則決定留在父親身邊生活。娜奧米對自己的叔叔和父親產生了引誘的欲望，而羅賓也開始對她的父親產生渴望。這一系列事件導致了家庭關系的崩潰，家庭的和諧被徹底打破。 

導演精選

探子阿堅：無頭奇案

　　故事發生在大約200年前的越南阮朝，探子阿堅受某村莊的邀請，前來調查神秘失蹤的案子....

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

鬼租客

　　一個破產的平面設計師最終租了一個有著恐怖故事和神秘鄰居的房間。