A片現(xiàn)場(chǎng)不NG
又是一天忙碌的開(kāi)始，化妝師都筑帶著妝髮工具來(lái)到iV拍片現(xiàn)場(chǎng)，打點(diǎn)忙亂的多P溷戰(zhàn)拍攝工作。除了接連的突發(fā)狀況、情緒化的二百五導(dǎo)演、粗枝大葉的助理之外，都筑還得伺候任性難搞的紅牌女優(yōu)、強(qiáng)勢(shì)回歸的羅莉塔、極度樂(lè)觀的男人婆、不得志的非主流妹、首次上陣的清純新星。1間化妝室，5位個(gè)性迥異的iV女優(yōu)，24小時(shí)瘋狂趕拍。在狹小的換裝空間裡，每個(gè)人脫下外衣也卸下心防，交織出一段溫暖的人間喜劇。
劇情簡(jiǎn)介
又是一天忙碌的開(kāi)始，化妝師都筑帶著妝髮工具來(lái)到iV拍片現(xiàn)場(chǎng)，打點(diǎn)忙亂的多P溷戰(zhàn)拍攝工作。除了接連的突發(fā)狀況、情緒化的二百五導(dǎo)演、粗枝大葉的助理之外，都筑還得伺候任性難搞的紅牌女優(yōu)、強(qiáng)勢(shì)回歸的羅莉塔、極度樂(lè)觀的男人婆、不得志的非主流妹、首次上陣的清純新星。1間化妝室，5位個(gè)性迥異的iV女優(yōu)，24小時(shí)瘋狂趕拍。在狹小的換裝空間裡，每個(gè)人脫下外衣也卸下心防，交織出一段溫暖的人間喜劇。
為你推薦
尋龍?jiān)E·覓蹤
張涵予,姜武,盧靖姍,邁克爾·寇特斯,羅恩·斯穆安伯格,安德魯·達(dá)茲,史蒂文·達(dá)茲,馬文·布韋,Simon Shiyamba,Daria Gz,Lorenzo de Moor,Francesca Alice Antonini,Errol Trotman-Harewood,Alejandro Gil Mateos,Lola Dufour故事發(fā)生在20世紀(jì)90年代，講述了本已打算金盆洗手的摸金三人組胡八一（張涵予飾）、王凱旋（姜武飾）、Shirley楊（盧靖姍飾）在大金牙的勸說(shuō)下又操起老本行，但原本以為只是簡(jiǎn)單任務(wù)的他們卻因意外身陷危機(jī)，不得不重新踏上兇險(xiǎn)萬(wàn)分的地下之旅。
馬拉加街夕陽(yáng)紅
卡門(mén)·毛拉,瑪爾塔·埃圖拉,艾哈邁德·布拉內(nèi),瑪利亞·阿爾方薩·羅索,米格爾·加爾塞斯,拉·伊門(mén)79歲的西班牙女子瑪麗亞·安赫萊斯獨(dú)自生活在摩洛哥的丹吉爾，享受著自己的日常生活。然而，當(dāng)她女兒從馬德里趕來(lái)，想要賣(mài)掉她一直居住的公寓時(shí)，她的生活徹底被打亂了。決心留下來(lái)的她，竭盡所能想要奪回自己的家與財(cái)物，卻意外重拾了愛(ài)情與感官的愉悅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
母親往事
米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.
眠狂四郎
長(zhǎng)谷川博己,黑島結(jié)菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎在將軍德川家齊統(tǒng)治下的文政年間，老中水野忠成與水野忠邦在幕府內(nèi)展開(kāi)激烈的權(quán)力斗爭(zhēng)。此時(shí)，攜帶名刀“無(wú)想正宗”的神秘浪人眠狂四郎（長(zhǎng)谷川博己 飾）現(xiàn)身江戶(hù)，并受忠邦的親信之命，暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后，狂四郎將此物交還給刺客的妹妹靜香，引發(fā)信徒與豪商備前屋的反擊，雙方為守護(hù)與暗殺而對(duì)立。另一方面，大目付松平主水正也奉忠成之命，派遣劍豪追殺狂四郎。權(quán)謀與信仰交織，一場(chǎng)錯(cuò)綜復(fù)雜的生死之戰(zhàn)即將展開(kāi)。
妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢(mèng)露富頓教授（加里·格蘭特 Cary Grant 飾）是一位科學(xué)家，正在研究一種能夠讓人返老還童的神奇藥物。某一天，富頓用來(lái)試驗(yàn)藥物的黑猩猩從籠子里逃了出來(lái)，在實(shí)驗(yàn)室里“大鬧天宮”，沒(méi)想到竟然在誤打誤撞之下將富頓一直想要研制但始終沒(méi)有成功的神藥給搗鼓了出來(lái)。 對(duì)此一無(wú)所知的富頓在偶然間喝下了這種藥物，很快，藥效便發(fā)揮了作用，富頓一反常態(tài)，言行舉止儼然一幅二十歲小伙子的模樣。秘書(shū)路易斯（瑪麗蓮·夢(mèng)露 Marilyn Monroe 飾）前來(lái)拜訪富頓教授，沒(méi)想到卻被他邀請(qǐng)去游泳、溜冰。之后，富頓的妻子愛(ài)德華（金格爾·羅杰斯 Ginger Rogers 飾）亦誤食了藥物，一連串讓人忍俊不禁的趣事就此展開(kāi)。
掃惡
潘斌龍,包貝爾,趙潤(rùn)南,克拉拉,周大勇,郭子恒,侯浩然,于柏林,釋小龍,湯鎮(zhèn)業(yè),九孔,常鋮千禧時(shí)代質(zhì)感的動(dòng)作犯罪類(lèi)型，奇葩刑警隊(duì)長(zhǎng)與背負(fù)殺父之仇的少年聯(lián)手追緝重出江湖的殺人劫車(chē)團(tuán)伙，刺激爽感中不乏社會(huì)思考和感動(dòng)。