劇情簡介
魯本和卡洛斯是獄中同窗。當魯本還在努力摸清監獄生活中的條條框框之際，卡洛斯先是成為了他的領路人，而后終成為了他的情人。兩人在獄中對彼此產生了難以名狀的情感，然而在他們獲遭釋放后，問題也隨之涌現??
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遇見世界
杉咲花,南琴奈,板垣李光人,蒼井優,澀川清彥27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》，卻始終無法接納真實的自己。面對朋友們紛紛步入婚姻與家庭，她感到焦慮與孤獨，嘗試通過相親改變現狀，卻屢遭不順，醉倒在歌舞伎町街頭。此時，她被陪酒女萊伊救起，兩人由此展開一段微妙的關系。隨后，由嘉里又結識了已婚男公關朝日，三人各自背負著不同的生活壓力，卻在彼此陪伴中逐漸找到歸屬與勇氣。 影片改編自金原瞳撰寫的同名小說。
絕地狂奔
袁宗軒,沈芷萱,曹安迪天才物理學家程玄發明了時空穿梭戒指，借助這枚戒指，他穿梭到了多個時空，認為科技可以改變世界。一伙邪惡勢力一直對程玄的時空穿梭戒指虎視眈眈，對方想盡方法兵派出了多人設計奪取時空戒指。于是，程玄不得不開始他的逃亡之旅...
壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.
密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李六位身份各異的陌生人，為贏取高額獎金，在神秘盒子的指引下受邀參與世界頂級密室逃脫游戲。誰知密室內布局精良機關重重，陷阱遍布殺機暗藏。是刺激游戲，還是博命賭局？誰在背后操控這一切？誰能夠成功破解謎局，逃出生天？
旅行的機器人
山寺宏一,林原惠美旅にはいつも出會いと別れがある。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑神駒
凱利·雷諾,米基·魯尼,特瑞·加爾,克拉倫斯·繆斯,霍伊特·阿克斯頓以《返家十萬里》揚名的導演卡羅爾·巴拉德一鳴驚人之作。以戲劇化的抒情風格描述一名男孩在船難中跟黑神駒同時漂流到荒島上，人與馬建立了兩位一體的非凡感情。后來他們獲救重回人類社會，巧遇老牌馬術教練，乃被訓練成出色的賽馬和小小年紀的騎師，在一次比賽中獲得冠軍。全片的攝影極為優美動人，尤其當時的童星凱利·里諾在沙灘上跟黑神駒玩耍的場面，在視聽效果上呈現出大自然之美的極至。米基·魯尼飾演的馴馬師在片中也占有重要地位，一老一少和馬之間的三角互動關系爆發出感人的火花，堪稱同類影片中的一流代表作。