43歲的社畜大叔黃遇奇（賈冰 飾）身體處處亮紅燈，是生活中的背景板，職場上的一塊磚。被人生困住的他因一場意外與18歲的自己互換靈魂！從此，沒有“班味”的中年黃遇奇開啟了創飛人生的一系列操作！不做卷王，享受人生就對了！“少年老成”的18歲黃遇奇（王皓 飾）手握未來劇本，開始實行“富二代養成計劃”！不再叛逆，彌補遺憾就對了！橫沖直撞的他們會如何掌控自己的全新人生？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事背景設定在星際殖民的未來時代，神秘的漂泊者賽（凱南魯茲飾）遇見了為地球外軍事承包商艾克索工作的中尉肯恩（丹尼爾麥佛森飾），這對背景南轅北轍的搭檔，必須在艾索克掀起的星球危機中，同心協力救出肯恩的小女兒，而為了理念背叛神通廣大的艾索克的兩人，除了必須面對天羅地網般的追捕，還得戰勝游蕩在荒蕪星球上的野蠻生物。

　　故事發生在一個虛構的城市——埃迪森市中，在那里，執政者和執法者相互勾結，黑惡勢力層出不窮，金錢和權利的交易每天都在發生，這些黑暗和腐敗猶如一只巨大而厚重的手掌，控制了整個城市和生活在其中的人們。波拉克（賈斯汀·丁伯萊克 Justin Timberlake 飾）是一名尚且保留了赤子之心的記者，精明的他很快就察覺到了發生在這個城市中的種種罪惡，心懷遠大理想的他決定將它們一一揭發。　　波拉克的舉動很快就惹惱了他正在調查的對象們，他們決定滅掉這個不知好歹的小子。在危險之中，波拉克只得求助于自己的老板艾斯佛（摩根·弗里曼 Morgan Freeman 飾）——一個良心尚存的老記者，在艾斯佛和其好友華勒斯檢察官（凱文·史派西 Kevin Spacey 飾）的幫助下，波拉克正在一步一步的接近真相。