不足之處
蘭道爾·樸將首度擔(dān)任導(dǎo)演，執(zhí)導(dǎo)路邊風(fēng)景影業(yè)新片《短板》。該片改編自艾德里安·托米恩創(chuàng)作的同名漫畫，托米恩也將為該片撰寫劇本。原著漫畫聚焦舊金山灣區(qū)的三個(gè)年輕亞裔美國都市人——Ben Tanaka、Miko Hayashi與Alice Kim，他們?cè)谝幌盗腥穗H關(guān)系中游刃有余，為尋找理想的情感共鳴而穿越全美國。場(chǎng)景設(shè)定在咖啡館、酒吧和臥室里，他們的故事以赤裸裸的坦誠和犀利的幽默相互碰撞與交織。
即刻觀影
劇情賞析
編輯推薦
機(jī)器人8號(hào)
(甘)網(wǎng)影審字(2022)第001號(hào)，甘肅未來影業(yè)有限公司
美人魚村
梁家仁,于函冰,臧志中,朱鐵和,李健仁,鐘偉強(qiáng),于夏沫本片是一部跨越百年的愛情傳奇故事。講述了安宇廷因?yàn)楹闷嫘尿?qū)使陰差陽錯(cuò)地來到桃源村，從而在桃源村經(jīng)歷了種種奇遇看到美人魚，最后與村民一起同來傷害美人魚的惡勢(shì)力作斗爭(zhēng)，并最終取得勝利......
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計(jì)劃籌資組建自己的環(huán)衛(wèi)公司，邀請(qǐng)尼卡德技術(shù)入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時(shí)候結(jié)識(shí)日后的同事米卡拉。米卡拉偶而會(huì)不識(shí)趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報(bào)復(fù)超市經(jīng)理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經(jīng)理夾到尼卡德與伊羅娜的關(guān)系中間，但尼卡德最終奪回了自己的愛人。 本片獲1987年芬蘭電影尤西獎(jiǎng)最佳影片獎(jiǎng)。是導(dǎo)演郭立斯馬基（Aki Kaurism?ki）無產(chǎn)階級(jí)三部曲的第一部。
羅莎夫人
西蒙·西涅萊,Samy Ben-Youb,米莎爾·巴特阿達(dá)姆,Gabriel Jabbour,熱蕾耶·豐塔內(nèi)拉,克洛德·多芬故事發(fā)生在巴黎阿拉伯人和猶太人聚居區(qū)，那里有許多妓院。上了年紀(jì)、體弱多病的猶太婦女羅莎，負(fù)責(zé)照顧一群妓女所生的孩子，而她自己過去也曾當(dāng)過妓女，并在納粹集中營(yíng)度過一段可怕的時(shí)光。影片主要表現(xiàn)羅莎夫人與她所照顧的一個(gè)阿拉伯男孩令人感動(dòng)的關(guān)系。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升清朝末年，城中百姓多數(shù)染上怪病。關(guān)心國家命運(yùn)的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢(shì)力為了獲得地宮寶藏展開了一場(chǎng)大亂斗。最終，眾人發(fā)現(xiàn)所謂的寶藏根本子虛烏有。而導(dǎo)致盛京變成人間地獄的根源也非妖魔鬼怪，而是日本人人體試驗(yàn)的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風(fēng)雙煞最終不計(jì)自身安危地準(zhǔn)備解救盛京的危局……