春夏秋冬又一春
春天，貪玩的童僧拿著石頭，綁在魚、青蛙和蛇身上，戲弄著小生靈們。老僧（吳永洙飾）發覺后，用同樣的手法懲處祂，告誡祂不可胡來。 夏天，十七歲的少僧（金永敏飾）為久居深shan的修行日子苦悶不已。有一天，一名患病少釹（何麗珍飾）在母親陪同丅，來到寺院拜佛求平安，并留丅療養。少年開始忍受不住異xing相吸所帶來的誘惑秋天，青年在外面殺人后重返寺院，請求諒解。老僧命其刻寫心經，去掉罪孽，同時，追捕逃犯的警察也趕到寺院 冬天，服完刑期的鈡年侽子（金基德飾）回到shan鈡寺院，重新開始修行苦練。一名婦釹突然探訪寺院，并留丅了一個侽嬰，希望能被收留。 之后，又一個春天到來。
即刻觀影
劇情賞析
編輯推薦
深入陰宅
辛政順,尹伊娜,申素媛在京畿道有一所廢棄的住宅，此前曾屬于一名金姓老板，他所經營的食品工廠蒸蒸日上，然而他因外遇而和妻子關系日漸惡劣。某天，金老板一家五口被人殘忍殺害，與之有染的女員工也下落不明。附近百姓傳說女員工早被殺死，她的怨靈屠殺了金老板一家，金老板的住宅也成了當地著名的鬼宅。 2010年的一天，電視臺《廢家探訪》劇組慕名前來，但是包括制作人李永珠、導演崔圭石、錄音記者程智英、廢家探訪隊員任萬首、萬美真、崔雨嵐一行六人最終神秘失蹤。6月的一天，攝制組的錄像帶素材重現天日，經過一番修復，攝制組成員們最后那段恐怖的經歷得以展現世人面前……
食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan亨利（加里·庫柏 Gary Cooper 飾）是一位熱血沸騰的青年，戰爭爆發了，他自愿前往意大利，成為了一名救護車駕駛員。在意大利，亨利結識了名為凱瑟琳（海倫·海絲 Helen Hayes 飾）的美麗護士，之后，亨利因為受傷被送進了米蘭醫院，在那里，他和凱瑟琳重逢了。住院期間，亨利和凱瑟琳墜入了情網，凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后，亨利回到了戰場，卻發現我軍的士氣大跌，處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵，亨利亦難以幸免，他僥幸逃脫了自己人的槍子，他決定找到凱瑟琳，兩人逃離戰場，去過他們與世無爭的日子。然而，意大利警察的追捕緊隨其后，兩人踏上了逃亡的旅途。
肥龍過江
甄子丹,毛舜筠,周勵淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍,詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴華,喻亢,馮勉恒香港警察朱福龍（甄子丹 飾）因一次工作失誤慘被降級，萬般無奈之際又遭未婚妻可兒（周勵淇 飾）悔婚，事業愛情的雙重打擊令他一蹶不振，暴飲暴食六個月后體重猛增到220磅！上司黃警官不忍其繼續墮落，委派朱福龍前往日本押送一名犯人，并承諾只要完成任務就可以為他恢復職位。可惜來到日本，倒霉的事件便接連在他身上發生，不僅財物盡失，連犯人也在押送途中逃脫了。幸好得到前香港警察瀟灑哥（王晶 飾）的幫助才得以暫時解困，為了完成任務找回犯人，朱福龍與瀟灑哥共同行動，不料在查找真相的過程中發現了日本黑幫的驚天陰謀......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
追隨你腳步
蒂莫西·斯波,喬安娜·拉姆利,艾美達·斯丹頓,大衛·海曼,西莉亞·伊姆里,約翰·塞森斯,約茜·勞倫斯,理查德·霍普,西恩·托馬斯,保羅·陳桑德拉（伊梅爾達·斯湯頓 Imelda Staunton 飾）和丈夫結婚已經四十年了，在這漫長的四十年里，兩人之間雖然不能說是從未有過爭執，但也算恩愛，桑德拉深深的信賴著自己的枕邊人。然而某一日，桑德拉震驚的發現，丈夫不僅有了外遇，外遇的對象竟然還是自己最好的朋友。傷心和憤怒之中，桑德拉選擇了離開，前往倫敦投奔自己的妹妹碧芙（西莉亞·伊姆瑞 Celia Imrie 飾）。 雖然身為姐妹，可碧芙的性格和桑德拉卻是大相徑庭。碧芙生來熱情奔放又開朗，而且非常擅長通過肢體語言來揮灑心情。桑德拉決定和碧芙一起去上舞蹈課，在翩翩起舞之中，壓抑了一輩子的桑德拉終于找到了情緒的發泄口。