劇情簡介
意大利城市佛羅倫薩的一位古董商正準備向世人透露，藝術界的可疑人物被一名身份不明的襲擊者謀殺。臥底警察琳達·福雷斯特(瑞文)被派往佛羅倫薩，在那里她和意大利外長吉多·莫蘭托(Joey Silvera)合作。藝術收藏家阿尼多有幾件藝術品被盜，隨著調查繼續進行，很明顯，他的工作人員和家庭成員都有他們寧愿隱藏的秘密。一直以來，殺手都在跟蹤新受害者。故事情節曲折，留下了續集的空間，似乎還沒有完成。
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狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如唐載初年，位于郊外校場倒塌的通天浮屠殘骸一夜之間復活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個校場，死傷無數。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災難。城中內外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過節的大理寺少卿裴東升。二人不打不相識，被迫一起調查此案。面對外敵的入侵，隊友的不信任，狄仁杰決心背水一戰，勢要查明案件的真相。
牙狼大河
北田祥一郎,神嶋里花,波岡一喜,ひょうろく,肥後克広,瀨戶利樹,影山浩宣,大西雅樹出生于繼承“黃金騎士GARO”稱號的魔戒騎士家族的冴島大河，繼承了黃金鎧甲，終日與魔獸霍拉戰斗著。某天他接到指令，要求奪回被霍拉·蛇道奪走的魔導具“羅盤”。羅盤中封存著守護人類，掌管著人界的安寧的青龍、朱雀、玄武、白虎的四圣獸之魂。大河與侍奉圣獸祠堂的魔戒導師·吹奇一同挺身而出，誓要奪回羅盤......
終端
瑪格特·羅比,西蒙·佩吉,德克斯特·弗萊徹,麥克·梅爾斯,馬克斯·艾恩斯,卡塔莉娜·凱斯,尼克·莫蘭,Les Loveday,卓丹·鄧,馬修·劉易斯,托馬斯·圖爾格斯,杰伊·辛普森,羅伯特·古德曼,保羅·雷諾茲在這個神祕又黑暗的城市裡，犯罪，只是家常便飯。被絕癥折磨的教師比爾（賽門佩吉飾演）試圖自我了斷，但始終想死卻死不成。某日，比爾在深夜的咖啡廳裡結識了美豔金髮女服務生安妮（瑪格羅比飾演）。兩人竟因為「如何成功自殺」這話題而打開話匣子，培養出一段詭異友誼…。而在城市的另一角落，兩位正在執行危險任務的殺手（麥斯艾朗、戴克斯特佛萊契飾演），為了獲得高額賞金在城市之間來回奔走，急切想要找到暗殺目標的線索…。 然而夜班警衛（麥克邁爾斯飾演）的出現，竟意外牽起這兩組貌似毫無關聯的人物。隨著一樁又一樁的犯罪事件發生，也逐漸揭露出眾人的神秘過去，以及交織而成的愛恨情仇。最終，他們發現自己全被捲入一場錯綜複雜的犯罪大計。究竟他們能否找出事實真相？而事件背後的神秘主謀又是誰呢？
校園往事
宋欣諾,吳長浩,陽院生,王海卓,陳升衛單純善良的女主人公（陳夢曦）踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公（陸晨）對陳夢曦一見鐘情，因為李子軒是陳夢曦的同桌，而且他與陳夢曦、梁燕形影不離，所以陸晨對李子軒有意見。陸晨與他朋友們經常整蠱欺負李子軒，一次在操場上陸晨和他朋友一起把李子軒給揍了。善良樂于助人的陳夢曦與梁燕知道后，決定幫助他們化解矛盾，通過接觸與了解，陸晨與李子軒及陳夢曦、梁燕之間的友誼逐漸形成。一天晚上，梁燕去參加朋友的生日晚會后，被人綁架了，陸晨與陳夢曦、李子軒及他的幾個朋友拿錢去解救梁燕，他們與劫匪打了起來，他們全部被劫匪打倒，關鍵時刻，班主任帶保安隊長來到，經過一番激烈搏斗，最終保安隊長制服了劫匪。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
致命玩笑2
凱拉（勞拉·喬丹 Laura Jordan 飾）、梅麗莎（尼姬·埃克斯 Nicki Aycox 飾）、鮑比（尼克·扎諾 Nick Zano 飾）和尼克（凱爾·施密德 Kyle Schmid 飾）等四個年輕人正驅車前往拉斯維加斯，準備參加那里舉行的聚會。他們的車載半路拋錨，四人尋求幫助時在荒野找到一座空無一人的房子，繼而在倉庫里找到一輛跑車。經過一番討論，他們決定留下聯系方式，暫時把車開走，并負責賠償車主的損失。 然而他們的想法過于天真，這輛汽車的主人正是恐怖的銹釘（馬克·吉本 Mark Gibbon 飾），凱拉等人破門而入和偷走汽車的行為徹底惹惱了他，銹釘的瘋狂狩獵也隨即展開。凱拉等人命懸一線…
何以陽光
宇桐非,梁鏡珂,蘇一龍,李華,鄭龍,孟靖,張綺煙肖首英是一位放浪不羈的拳擊手，因為參加拳擊比賽，而失去了患病的妻子，從此一蹶不振，他答應妻子以后退出拳臺，絕不會讓兒子肖凱去打拳。肖凱從小就有打拳的天賦，但肖首英一直在阻攔，肖凱偷偷的報名參加了拳擊比賽，最后贏得了冠軍，從此打開了父親的心結