多莉

法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler

 瑪西，一位年輕女子，被一個(gè)面目猙獰的怪物擄走，這個(gè)怪物一心要把她當(dāng)作自己的孩子撫養(yǎng)長大。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

追惡

釋小龍,王真兒,劉峰超,劉怡潼

山村拐賣猖獗，警察池峰孤身潛入尋兇，地窖救人、村民暴動(dòng)、夜總會(huì)血戰(zhàn)，誓要以暴制暴守衛(wèi)法律公道。

月球叛軍2：烙印之人

索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費(fèi)舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯

　　延續(xù)第一部的史詩故事，柯拉（索菲亞·波多拉 Sofia Boutella 飾）與幸存的戰(zhàn)士準(zhǔn)備好豁出一切，與勇敢的碧草星居民并肩作戰(zhàn)，即使村落不復(fù)往日和平，仍是對抗母星失敗的人們尋得的新家園，這一切，就靠他們來守護(hù)。最終大戰(zhàn)前夕，這群戰(zhàn)士必須面對各自的過往，也揭露他們究竟為何而戰(zhàn)。當(dāng)叛軍勢力星火燎原，王國大軍傾巢而出準(zhǔn)備平息動(dòng)亂，戰(zhàn)友情誼益發(fā)堅(jiān)定，英雄嶄露頭角，不朽傳奇也于焉誕生。

深入陰宅

辛政順,尹伊娜,申素媛

　　在京畿道有一所廢棄的住宅，此前曾屬于一名金姓老板，他所經(jīng)營的食品工廠蒸蒸日上，然而他因外遇而和妻子關(guān)系日漸惡劣。某天，金老板一家五口被人殘忍殺害，與之有染的女員工也下落不明。附近百姓傳說女員工早被殺死，她的怨靈屠殺了金老板一家，金老板的住宅也成了當(dāng)?shù)刂墓碚！　?010年的一天，電視臺(tái)《廢家探訪》劇組慕名前來，但是包括制作人李永珠、導(dǎo)演崔圭石、錄音記者程智英、廢家探訪隊(duì)員任萬首、萬美真、崔雨嵐一行六人最終神秘失蹤。6月的一天，攝制組的錄像帶素材重現(xiàn)天日，經(jīng)過一番修復(fù)，攝制組成員們最后那段恐怖的經(jīng)歷得以展現(xiàn)世人面前……

自殺森林

娜塔莉·多默爾,泰勒·金尼,歐文·馬肯,斯蒂芬妮·沃格特,小澤征悅,Rina Takasaki,櫻井北子,Y?ho Yamashita,藤本政志

　　生活在美國的莎拉·普斯（娜塔莉·多默爾 Natalie Dormer 飾）近日來心神不寧，她有一個(gè)孿生妹妹杰西（娜塔莉?多默爾 Natalie Dormer 飾）在日本擔(dān)任外教。然而杰西突然下落不明，莎拉拜托山梨縣警方幫助搜查，最終得到的結(jié)果是杰西可能進(jìn)入了擁有“自殺勝地”之稱的青木原森林自我了斷。莎拉絕不認(rèn)同警方的推測，她不顧男朋友的阻攔，獨(dú)自踏上前往日本的旅途。她最先來到了妹妹任教的學(xué)校，在調(diào)查未果之后乘上了前往青木原森林的列車。他人的勸阻無法攔住莎拉的腳步，她朝向森林深處走去。　　在這一過程中，恐怖詭異的經(jīng)歷交替襲來……

死亡陰影

Gilles Barret,Margaux Devy,Sylvain Dubois

 法國青年克里斯（Fabian Wolfrom 飾），在他11歲時(shí)某個(gè)夜晚，哈雷彗星接近地球。似乎冥冥中有所感應(yīng)，他的父母在當(dāng)晚死于非命。此去經(jīng)年，哈雷彗星再度接近地球，全世界人民寄予極大關(guān)注，各種或科學(xué)或玄學(xué)的猜測層出不窮，熱議紛紛。對克里斯來說這顆星體的造訪似乎沒有什么特別的，但是他卻發(fā)現(xiàn)周圍人們的舉止愈加怪異，人們越來越無法控制自己的情緒，各種暴力和暴動(dòng)此起彼伏，在所謂的末日為降臨前，眾生已經(jīng)陷入絕望的瘋狂之中。彗星蒞臨當(dāng)晚，克里斯受邀參加一個(gè)狂歡派對。誰知未過多久場面便完全失控，各種嗜血惡徒出籠，展開末日殺戮……