在線看
同款熱播
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
搶錢大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發(fā)現(xiàn)此路根本行不通，直到一家名為J.T.馬林經(jīng)紀(jì)公司的股票經(jīng)紀(jì)商找上了賽維斯。 在這個(gè)號(hào)稱“鍋爐房”的核心辦公室里，多少個(gè)一夜間成為百萬(wàn)富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優(yōu)異的成績(jī)通過(guò)了股票經(jīng)濟(jì)人認(rèn)證考試，開始了他的“成功之路”。他把那些永遠(yuǎn)都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險(xiǎn)的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長(zhǎng)島這個(gè)瞬息萬(wàn)變的商業(yè)圈里，良心未泯的賽維斯終于開始面對(duì)良心的考驗(yàn)。
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實(shí)驗(yàn)室阿提克斯研究所，針對(duì)超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開研究。雖然遭遇了無(wú)數(shù)的挫折與嘲笑，但是韋斯特博士仍堅(jiān)持不懈朝著目標(biāo)前進(jìn)。1975年，他的實(shí)驗(yàn)室因某起騙局而被迫關(guān)閉，就在此時(shí)一個(gè)略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實(shí)驗(yàn)室。她之前因傷而擁有了超能力，而其看似貨真價(jià)實(shí)的超能力迅速令見多識(shí)廣的科學(xué)家們大為折服。在這一過(guò)程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度。 這已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時(shí)隱時(shí)現(xiàn)……
透明人出現(xiàn)了
喜多川千鶴,水の江滝子中里博士は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎の男が薬を奪い透明人間になって、希代の寶石“アムールの涙”を強(qiáng)奪しようとする。円谷英二が大映京都撮影所で、「虹男」に続いて特撮を擔(dān)當(dāng)した話題作である。
奪命網(wǎng)紅2
卡桑德拉·諾德,喬治娜·坎貝爾,麗莎·德拉馬爾,喬納森·懷特賽爾,維羅妮卡·隆,迪倫·普萊費(fèi)爾在法國(guó)南部，一位年輕女性對(duì)謀殺和身份盜竊的令人毛骨悚然的癡迷將她的生活卷入了混亂之中。
最美的島嶼
安娜·阿森西奧,娜塔莎·羅曼諾娃,卡普里切·貝內(nèi)德蒂,阿米·謝斯,米麗亞姆·A·海曼,薩拉·葳瑟,尼古拉斯·圖齊,拉瑞·凡斯登,安娜·邁,戴維·利特爾,娜塔莉亞·茲韋列娃,索里卡·沃爾夫,費(fèi)內(nèi)拉·A·丘多巴,布雷特·阿扎爾,奧若拉·漢姆巴赫,玢·羅賓斯,邁克爾·文森特本片根據(jù)真實(shí)事件改變. 俄羅斯美女露西亞娜入境紐約后, 瀕于生活崩潰的邊緣, 除了保姆的工作之外, 她還得擔(dān)任另一份危險(xiǎn)的工作: 脫光后, 與世界最具有毒性的蜘蛛共處一隅....