劇情縱覽
徐大維遠從回港接管香港分公司。分公司經理查理(曹查理飾)終日只知勾引公司女同事,把公司弄得一團糟。徐回來后便提升營業主任林婷婷為總經理。大維漸漸對婷婷傾心,但是婷婷的好姐妹祖兒(葉玉卿飾)也看上了大維,這段三角戀以婷婷退出,遠走美國告終。大維與祖兒在一起卻無法填補內心的空虛,于是離開了她。暫無內容 公司終于經營失敗,為日本最大的財團“大田”所收購。大維因此又邂逅他生命中的另一個女子——裕子(村上麗奈飾),二人的愛情即刻點燃,卻不料裕子的父親介入其中......
徐大維遠從回港接管香港分公司。分公司經理查理(曹查理飾)終日只知勾引公司女同事,把公司弄得一團糟。徐回來后便提升營業主任林婷婷為總經理。大維漸漸對婷婷傾心,但是婷婷的好姐妹祖兒(葉玉卿飾)也看上了大維,這段三角戀以婷婷退出,遠走美國告終。大維與祖兒在一起卻無法填補內心的空虛,于是離開了她。暫無內容 公司終于經營失敗,為日本最大的財團“大田”所收購。大維因此又邂逅他生命中的另一個女子——裕子(村上麗奈飾),二人的愛情即刻點燃,卻不料裕子的父親介入其中......
賞金獵豬,一只被人類雇傭去抓捕那些逃亡動物的豬。在追捕一只從一個邪惡馬戲團逃亡的大象過程中,但卻陷入了一場兩只動物的全球冒險之中,這也在慢慢改變他的一些觀念。
A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
根據1961年轟動全臺的“瑠公圳分尸大案”改編。刑警趙子午(朱軒洋 飾)與記者張秀秀(吳卓源 飾)在得知女尸案有幕后陰謀后,聯手搏命找尋真相。警方也隨后發布巨額懸賞。不料,趙子午父親、抗日將軍趙志升(張世 飾)被列為分尸案嫌犯。媒體得知后開始瘋狂報道,一時間這起混雜血案、輿論、政敵的分尸案鬧得全城震動……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.