在線播放
劇情簡介
藝術家某天發現他的年輕的妻子和他的兒子(從以前的婚姻)使亂論的愛,決定畫這樣一個美麗的景象在畫布上,特別是與他們騎著白色駿馬。戀人不知道是什么奇怪的安排意味著,和害怕畫家懷疑他們的關系。當他們試圖離開家,畫家的瘋狂爆炸,而希臘悲劇看中的家庭。
同類好片
巨人的告別
奧斯卡·馬丁內茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika身體集合.zip
金玟錫,金彩恩,權雅凜,姜俊圭,金亞炫,趙宇麗阿坎達2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato有關謊言的真相
瑪麗·伊麗莎白·埃利斯,奧黛塔·安納布爾,考林·加普,克里斯·迪亞曼托普洛斯,弗蘭·克朗茨,奧克斯·費格雷,勞拉·奈特林格,麥爾斯·費舍,阿瑟·J·納斯加勒拉,丹尼爾·雷蒙特,喬納森·凱茲,Carson Elrod人氣佳作
殺出魔鬼鎮
丹尼斯·歐哈拉,艾狄森·蒂姆林,蓋瑞·科爾,斯賓塞·崔特·克拉克,喬舒華·萊納德,維羅尼卡·卡維特,愛德華·赫曼,約翰·威斯利·查特曼,埃德·勞特爾,阿拉貝拉·菲爾德,蘭斯·E·尼克爾斯,斯塔萊特·米亞里奧尼,Morganna May,Dodie Brown,Raiden Integra警察游戲
杰克·約翰遜,小達蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson留低你個死人頭
William Baldwin,安琪拉·瓊斯導演精選
懸案密碼3:信仰的陰謀
《懸案密碼》系列的第三部:6年前,一只在海上漂流的瓶子在蘇格蘭被打撈上岸,然而里面的求救信卻被視為不祥之物,直到一位調查人員無意中看出了信件開頭用丹麥文寫著:救命!隨著卡爾和兩名下屬的破解,他們發現署名“保羅”的作者不僅確有其人,而且在寫下瓶中信后便下落不明...... 為何少年的家人不曾追究他的行蹤?難道他在多年前便已遭遇不測?正當調查陷入膠著,一起離奇車禍讓原本天衣無縫的邪惡罪行露出破綻,串起所有線索的卡爾這才明白,自己面對的并不單是一樁陳年舊案,而是過去十幾年來,許多破碎家庭的絕望呼救…
為了所有的女孩
一名探員和一名連環殺手組成了看似不可思議的小分隊,共同對抗全球拐賣兒童和性奴販運網絡。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster