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同類好片
歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa特雷弗·諾亞：苦中作樂(lè)
特雷弗·諾亞驚聲尖叫7
內(nèi)芙·坎貝爾,伊莎貝爾·梅,柯特妮·考克斯,梅森·古丁,賈思敏·薩沃伊·布朗,大衛(wèi)·阿奎特,馬修·里沃德,斯科特·弗利,塞萊斯特·奧康納,阿薩·格爾曼,麥肯娜·格瑞絲,薩姆·雷希納,米歇爾·蘭道夫,吉米·塔特羅,安娜·坎普,喬爾·麥克哈爾,馬克·康蘇斯,伊桑·恩布里,維克托·特平,Scott Allen Frederick,艾米·彭伯頓,Josh Thrower,Cyle Winters,羅格·杰克遜奪命之愛(ài)
Jessica McNamee,Richard Wilson,Xavier Samuel時(shí)間之外的故鄉(xiāng)
郭輝,朱宇涵,蔡宣萱養(yǎng)鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley人氣佳作
地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登震耳欲聾
檀健次,蘭西雅,王戈,王硯輝,遲蓬,潘斌龍,李菁菁,寧桓宇,周政杰殯葬師
馬索·曼恩,愛(ài)德華·福隆,安吉利·贊巴拉娜,Luis Da Silva Jr,安東尼·邁克爾·弗雷德里克沖動(dòng)2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫(kù)捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
杰夫·羅斯：帶蕉上路
在9月29日結(jié)束為期八周的有限活動(dòng)后，《香蕉騎行》據(jù)說(shuō)向羅斯展示了不同的一面，這是一場(chǎng)結(jié)合了喜劇、自傳體故事和音樂(lè)元素的更個(gè)人化、更發(fā)自內(nèi)心的表演。這部劇是關(guān)于慶祝生活、紀(jì)念損失和為生活中的意外事件做好準(zhǔn)備。
一百樣?xùn)|西
安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛(wèi)·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經(jīng)歷了太多的事情，彼此之間的友誼堅(jiān)不可破。成年之后，他們一起創(chuàng)辦了一家公司，這一天，公司覓得了一名非常慷慨的投資人，為了慶祝這件事情，公司里開(kāi)設(shè)了一場(chǎng)盛大的派對(duì)，在派對(duì)上，玩的興起的安東尼和保羅決定打一個(gè)賭，賭注是公司百分之五十的股份。 安東尼和保羅交出了身上所有的東西，兩人回歸到身無(wú)分文的狀態(tài)，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復(fù)，看誰(shuí)能夠撐更長(zhǎng)的時(shí)間，先放棄的人就是輸家。