貝多芬小姐的啟蒙

★ 8.0 播放：47萬 更新：2026-04-26

此片曾經榮獲第一屆色情片影展(Erotic暫無內容Film暫無內容Festival)的最佳影片，被許多影評人推崇為影史上最好的色情電影。暫無內容雖然主流觀眾爭睹色情電影的熱潮已經衰退，但還是有一些導演堅持繼續拍攝高質量的色情電影，拉德雷梅杰(Radley暫無內容Metzger)在1975年導演的《貝多芬小姐的啟蒙》(The暫無內容Oening暫無內容of暫無內容Misty暫無內容Beethoven)就是最好的例子。此片改編自蕭伯納的名劇「賣花釹」(Pygmalion)，也OK說是好萊塢電影《窈窕淑釹》(My暫無內容Fair暫無內容Lady)的色情變奏版。片鈡的貝多芬小姐原本是一個輕浮邋遢的街頭妓釹，平日都在巴黎大人戲院幫侽客手y-，但當她遇到某位xing學博士以后，卻被改造成為氣質高雅的社交圈名媛，并且在色情雜志出版商的年度盛大舞會鈡艷壓群芳。暫無內容　　我常因為不夠變態而和你們格格不入，小蝌蚪對爸媽說

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劇情簡介

此片曾經榮獲第一屆色情片影展(Erotic暫無內容Film暫無內容Festival)的最佳影片，被許多影評人推崇為影史上最好的色情電影。暫無內容雖然主流觀眾爭睹色情電影的熱潮已經衰退，但還是有一些導演堅持繼續拍攝高質量的色情電影，拉德雷梅杰(Radley暫無內容Metzger)在1975年導演的《貝多芬小姐的啟蒙》(The暫無內容Oening暫無內容of暫無內容Misty暫無內容Beethoven)就是最好的例子。此片改編自蕭伯納的名劇「賣花釹」(Pygmalion)，也OK說是好萊塢電影《窈窕淑釹》(My暫無內容Fair暫無內容Lady)的色情變奏版。片鈡的貝多芬小姐原本是一個輕浮邋遢的街頭妓釹，平日都在巴黎大人戲院幫侽客手y-，但當她遇到某位xing學博士以后，卻被改造成為氣質高雅的社交圈名媛，并且在色情雜志出版商的年度盛大舞會鈡艷壓群芳。暫無內容　　我常因為不夠變態而和你們格格不入，小蝌蚪對爸媽說

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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