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同款熱播
那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊1999年釜山的一個(gè)小村莊里，女學(xué)生恩智（劉慧英飾）被害身亡，她的哥哥張宇（周元飾）也失去了唯一的親人，他決心一定要查出殺害妹妹的兇手。由于一點(diǎn)線(xiàn)索都沒(méi)有，張宇不得不借助能預(yù)知死亡的少女（李柔英飾）的力量來(lái)追查真兇，并在追查的過(guò)程中，盯上了小區(qū)內(nèi)平常人緣和口碑都不錯(cuò)的藥店藥師閔藥局（劉海鎮(zhèn)飾），雖然沒(méi)有證據(jù)，但是張宇卻認(rèn)定他就是“那個(gè)家伙”，于是開(kāi)始24小時(shí)緊盯著閔藥局 。
嘔吐戈?duì)?：祭祀
《祭祀》是2008年在美國(guó)上映的一部恐怖電影，由路西爾.維綸泰恩執(zhí)導(dǎo)，路西爾.維綸泰恩領(lǐng)銜主演。 《祭祀》展示了涅槃般樂(lè)隊(duì)的柯特·科本以及患有貪食癥的歌手安吉拉·阿伯丁自殺的瘋狂景象。受到惡魔般的同胞的感官精神的影響，安吉拉痛苦的自殘終于遭遇腦死亡。這是導(dǎo)演lucifervalentine的第二部作品
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠(chǎng)探險(xiǎn)，并全程微博直播。他們?yōu)樽约旱臒o(wú)知和膽大妄為付出巨大代價(jià)，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場(chǎng)意外的受害者，從醫(yī)生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調(diào)查后發(fā)現(xiàn)，霈霈她們前幾日都曾被某神秘微博帳戶(hù)@，之后在她們微博中便各自出現(xiàn)一個(gè)倒計(jì)時(shí)的畫(huà)面，而業(yè)已歸零的正是當(dāng)前的死者子妍?！ 〗^不相信鬼神傳說(shuō)的蕭薇，決定親自涉足永寧工廠(chǎng)一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
窮養(yǎng)攻略2
米洛斯·比柯維奇,帕維爾·杰列維揚(yáng)科,阿格拉婭·塔拉索娃,奧爾加·迪布采娃,瑪麗亞·米羅諾娃,伊萬(wàn)·阿赫洛貝斯金,亞歷山大·斯莫勒克,索菲婭·扎伊卡,基里爾·納吉耶夫,Dmitry Belyakin,Olivier Siou,Andrey Malakhov,娜塔莉亞·羅戈日金娜,彼得·布斯洛夫,Viki Odintcova,Sergey Shestepyorov,Sergey Rozhnov,埃利扎維塔·洛托娃,Kseniya Stoyakova,Sergey Gabrielyan格里沙，這個(gè)曾經(jīng)被寵壞的孩子，原本是一個(gè)農(nóng)奴。但在經(jīng)歷了一次追溯“過(guò)去”的旅程后，他蛻變成了一個(gè)真正的男人，對(duì)任何形式的不公正都極為敏感。然而，他始終無(wú)法擺脫被寵壞的卡蒂婭所帶來(lái)的無(wú)禮和無(wú)法無(wú)天。也難怪，這個(gè)曾經(jīng)被寵壞的女孩很快就發(fā)現(xiàn)自己置身于一個(gè)截然不同的時(shí)代。
春光乍泄
張國(guó)榮,梁朝偉,張震,格利高里·戴頓黎耀輝（梁朝偉）與何寶榮（張國(guó)榮）是一對(duì)同性戀人，為了有新的開(kāi)始，他們懷著美麗的夢(mèng)想（去看南美洲大瀑布）離開(kāi)香港來(lái)到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來(lái)過(guò)日子，無(wú)奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當(dāng)黎耀輝是他受傷后的港灣，兩人分歧 、爭(zhēng)吵越來(lái)越多，心的距離越來(lái)越遠(yuǎn)。黎耀輝明白過(guò)去的日子不可能再?gòu)?fù)返時(shí)，決定離開(kāi)何寶榮，而正是在他離開(kāi)后，絕望的意味（對(duì)黎耀輝的愛(ài)）才在何寶榮的腦海中完整地浮現(xiàn)。