World War II is around the corner, but the only thing Sally Bauer can think of is the ocean. Her dream is to swim across the English Channel. Her father has tried to exorcise her obsession with swimming since she was a toddler, without success. An unwanted pregnancy forces her to abandon her dream – and herself. The child’s father does not want to be involved, so as a woman in the ‘30s in Sweden, Sally has no choice but to do what is expected of her: to be a mother. There is no place left for her dreams and Sally is pulled into bottomless darkness, until her sister Carla saves her. With renewed purpose, together the sisters begin to dismantle the conventions they are constantly facing. In late August 1939, Sally stands on the shore at Dover and takes her first step into the English Channel. She swims across the open and icy sea for 15 hours, waving to the Navy who are readying for war. A couple of days after Sally swims ashore at Calais, Poland is invaded.

　　美麗女孩蕾貝卡（莎拉·博格 Sarah Bolger 飾）是一家女子教會(huì)寄宿學(xué)校的學(xué)生，開朗熱情的她在學(xué)校結(jié)識(shí)了許多好朋友，其中金發(fā)女孩露西（莎拉·戈登 Sarah Gadon 飾）與之關(guān)系最為融洽。二人形影不離，無(wú)話不說(shuō)，親密無(wú)間。新學(xué)期伊始，高挑冷艷的恩妮莎（莉莉·科爾 Lily Cole 飾）轉(zhuǎn)入她們的學(xué)校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適，可是露西似乎對(duì)其頗有好感，二人越走越近。與此同時(shí)，恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個(gè)恍如從哥特恐怖小說(shuō)中走出來(lái)的女子，究竟藏著怎樣的秘密……　　本片根據(jù)Rachel Klein 同名暢銷科幻恐怖小說(shuō)。

　　農(nóng)村姑娘彩鳳（張雨綺 飾）跟同伴來(lái)到一家號(hào)稱哈佛畢業(yè)生開的診所，希望可以通過(guò)整容手術(shù)變漂亮，但是整容醫(yī)生（吳彥祖 飾）的拙劣表現(xiàn)，令她們無(wú)功而返。后來(lái)，兩人擠上了開往上海的貨車。來(lái)到大城市，人生地不熟，彩鳳卻對(duì)大屏幕里的街舞情有獨(dú)鐘，原來(lái)她也曾經(jīng)是鄉(xiāng)舞蹈隊(duì)的一員。然而，現(xiàn)實(shí)的壓力卻讓她只能把夢(mèng)想暗藏心底。一次偶然的機(jī)會(huì)，她進(jìn)入了朗（立威廉 飾）所開的紅星公司，雖然工作是清潔工，但可以有機(jī)會(huì)接觸到街舞，讓她非常興奮，時(shí)常默默練習(xí)。朗是公司老板，富家子弟，每天周旋于紅男綠女之間，希望通過(guò)街舞大賽幫公司創(chuàng)品牌。他遇到彩鳳后，被她對(duì)街舞的執(zhí)著打動(dòng)，便提供了一個(gè)機(jī)會(huì)，希望幫她實(shí)現(xiàn)夢(mèng)想。然而，因?yàn)橐淮握`會(huì)，令彩鳳傷心地回到了家鄉(xiāng)。她還能有機(jī)會(huì)站在五光十色的舞臺(tái)上實(shí)現(xiàn)夢(mèng)想嗎？

泰勒·湯姆林森（Taylor Tomlinson）在她的第四部喜劇特輯《浪子回頭的女兒》（Prodigal Daughter）中，以一個(gè)關(guān)于解構(gòu)信仰、處理宗教創(chuàng)傷、探索性取向和面對(duì)死亡恐懼的緊張新時(shí)刻回到了她的根本。