唐朝禁宮酷刑

? 9.1 播放：32萬 2026-04-22

男寵擾亂宮幃，婢女被立為寵姬。朝鮮大臣之女香月更受盡皇爺?shù)膟-欲享樂以及種種不人道的刑罰，最后慘遭折磨而死。 　　

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? 播放 唐朝禁宮酷刑

劇情提要

男寵擾亂宮幃，婢女被立為寵姬。朝鮮大臣之女香月更受盡皇爺?shù)膟-欲享樂以及種種不人道的刑罰，最后慘遭折磨而死。 　　

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

衛(wèi)兵的吶喊

 故事發(fā)生在塞內(nèi)加爾的大型建筑工地附近，晚上工人們與一名男子發(fā)生了沖突，男子的哥哥在工地因工傷喪生。