若得平安

評分：1.0 播放：87萬 更新：2026-04-23
主演： 尾野真千子 山中聰 

2010最新日本禁忌之戀劇情大片，別名：真幸くあらば nbsp; 需要閑錢玩樂的青年南木野淳闖空門行竊，不巧爭撞上了屋主，一時(shí)沖動(dòng)之心下殺死了那對情侶。法庭一審判決處于南木野死刑，他也不愿上訴，由此作為死囚被投入了獄中。 　　突然，一位素未謀面的女子前來探望淳。她叫川原薰，是被淳殺死的男子的未婚妻。出事時(shí)，死者正在和別的女人幽會(huì)。薰認(rèn)為自己應(yīng)該憎恨淳，因?yàn)樗菤⑺牢椿榉虻某鹑耍欢就瑫r(shí)也為她報(bào)復(fù)了未婚夫的不忠，她的心緒十分復(fù)雜。 　　隨著一次又一次的探視，薰開始被淳所吸引，而生來沒有嘗過愛的滋味的淳也因?yàn)檗沟谝淮晤I(lǐng)略到了生存的快樂與愛一個(gè)人的歡愉。在受到嚴(yán)密監(jiān)視的探視室中，兩人隔著有機(jī)玻璃墻墜入了了愛河。薰送給淳一本《圣經(jīng)》，她在書頁的空白處用小字寫下了心中的情感。兩人用這部《圣經(jīng)》開始了秘密的通信; 　　

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.