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郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana...
尸油降
卡文·英瑪諾泰,Supawadee Kitisopakul,??????? ????????????阿坤（卡文英瑪諾泰 飾）是個(gè)孤兒，由村里強(qiáng)大的薩滿萊穆養(yǎng)大。他受雇驅(qū)魔，卻偷偷進(jìn)行黑魔法儀式，想提煉尸油賺錢迎娶心愛的女孩蘇伊，沒想到這觸怒了鬼魂、招致報(bào)復(fù)。此時(shí)蘇伊恰巧來找他，究竟阿坤能否以所學(xué)和信仰幫助自己和身邊的人死里逃生？
機(jī)器人8號(hào)
(甘)網(wǎng)影審字(2022)第001號(hào)，甘肅未來影業(yè)有限公司
星河戰(zhàn)隊(duì)
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達(dá)·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛(wèi)·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴高中生瑞科（卡斯帕?凡?迪恩 Casper Van Dien 飾）畢業(yè)后，在女友卡門（丹妮絲?理查茲 Denise Richards 飾）的鼓動(dòng)下，違背了父親的意志，加入了機(jī)械化步兵學(xué)院，卡門亦加入了海軍學(xué)院。 在他們參加訓(xùn)練不久后，地球遭到了來自外星球的昆蟲襲擊。瑞科的親人均慘遭殺害，卡門將拍攝到的影像傳送給了瑞科。悲憤交加的瑞科率領(lǐng)部下投入到了對(duì)抗外星昆蟲的戰(zhàn)斗中。 然而，軍隊(duì)低估了這些昆蟲的實(shí)力。在一次遭遇戰(zhàn)中，10萬軍隊(duì)?wèi)K遭殺戮，只剩瑞科、卡門等幾人僥幸逃生。瑞科親眼目睹了恐怖的殺戮場(chǎng)面，意外獲知了這些昆蟲變得如此聰明、強(qiáng)大的秘密。瑞科意識(shí)到必須制造更先進(jìn)的武器才能對(duì)付這些昆蟲，人類的反擊開始了！
鱷魚變
貝弗利·加蘭,布魯斯·班尼特,小朗·錢尼,喬治·麥克雷迪一個(gè)女孩在被催眠下,講出了她身世的秘密,原來她的丈夫在結(jié)婚當(dāng)晚神秘消失,她多方尋找最后發(fā)現(xiàn)了丈夫身上的秘密,而她的丈夫竟變成了...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster