影片推薦
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾圣誕日記
賈斯汀·哈特雷,巴萊特·道斯,艾森斯·阿特金斯,邦妮·比蒂麗婭,詹姆斯·瑞馬爾,安德里婭·舒,Vivian Full,杰夫·科貝特,亞倫·科斯塔·加尼斯,Lauren Yaffe,Jacob Mackinnon,Alexander Blaise,Samantha Smart,Baylen D. Bielitz,Sophia Carlin,Patrick K. Dooley,史蒂夫·安托努奇,Christopher Watts惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲獵局反轉
弗蘭克·格里羅,歐嘉·柯瑞蘭寇,奧利弗·特雷韋納,蘭達,Vladislav Lapidus,Lacy McClory,Emilija Matic圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩魔影襲人來
萊斯利·霍華德,勞倫斯·奧利弗,雷蒙德·馬西,安東·沃爾布魯克,埃里克·波特曼同類精選
不死真相
埃里克·羅伯茨,桑德拉·布萊克,阿什莉妮可布萊克,Hope Blackstock,C.J. Stussi,伊莎貝拉·洛厄爾三人新世界
林子祥,鄭裕玲,張曼玉,周慧敏,關秀媚,梁佩瑚,文雋,金燕玲,許紹雄心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾米納里
史蒂文·元,韓藝璃,達里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan火拼
方中信,呂良偉,安志杰,張繼聰,陳家樂,錢嘉樂,陳國邦,張文杰,馬思惠,沈震軒萬世英雄
查爾頓·赫斯頓,索菲婭·羅蘭,雷夫·瓦朗,吉內瓦維·佩吉,約翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲爾德,馬西姆·塞拉托,弗蘭克·思林,邁克爾·霍爾德恩,安德魯·克魯克香克,道格拉斯·威爾默,托里奧·卡米納提,拉爾夫·杜魯門,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齊,芭芭拉·埃弗里斯特,尼里奧·貝爾納迪,赫伯特·羅姆,歐米洛·康帕納,Antonio Mayans,保羅·穆勒,保羅·納什,歐露莎爾芭·奈麗,維爾吉里奧·特謝拉影視排行
暗殺國度
奧黛莎·楊,阿布拉,蘇琪·沃特豪斯,哈莉·尼夫,科爾曼·多明戈,丹尼·拉米雷斯,喬爾·麥克哈爾,茉德·阿帕圖,科迪·克里斯蒂安,比爾·斯卡斯加德,庫倫·莫斯,貝拉·索恩,小凱文·哈里森,阿尼卡·諾尼·羅斯,杰夫·波普,諾亞·蓋爾文背景設定在馬薩諸塞州塞勒姆鎮,當一個破壞分子開始在網上發布小鎮里每個人的私人生活細節,將小鎮生活攪得天翻地覆后,一個精通社交媒體的高中學生和她的朋友們等待著觀察最終結果。 瀏覽器歷史記錄、私信、非法下載、秘密文本鏈甚至更加糟糕的因素,造成了數字時代能夠發生的最糟糕的情況。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
透明人出現了
喜多川千鶴,水の江滝子中里博士は人間を透明にする薬品を密かに完成させるが、秘密をかぎつけた謎の男が薬を奪い透明人間になって、希代の寶石“アムールの涙”を強奪しようとする。円谷英二が大映京都撮影所で、「虹男」に続いて特撮を擔當した話題作である。
蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細川佳央,橋野純平,中山求一郎柾木在大學好友池內的邀請下去觀看舞臺劇,并被登臺表演的芙蓉所吸引。然而,他逐漸開始懷疑芙蓉與池內之間的關系。于是柾木與一個對芙蓉心懷厭惡的神秘女子小林合作…… 影片根據江戶川亂步的同名中篇小說改編。