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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
家用攝像頭
尹世雅,權(quán)赫,阮芳青薇當(dāng)兼顧工作和撫養(yǎng)孩子的單身母親成熙（尹世雅飾）為她年幼的女兒在整個(gè)房子里安裝家庭攝像頭時(shí)，奇怪的事情開始了。
拍得不錯(cuò)
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應(yīng)采兒,苗僑偉,宣萱由五個(gè)單元故事組成的GOOD TAKE，是香港電影新一代導(dǎo)演的創(chuàng)新作品，包括導(dǎo)演曾國祥《水泥》，講述警員9413（周柏豪）前往報(bào)案地點(diǎn)查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導(dǎo)演黃智亨的《囍宴》，一個(gè)小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導(dǎo)演黃進(jìn)的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事；導(dǎo)演楊龍澄的《不一定》，以型格對比色彩重構(gòu)暴力血腥鏡頭；導(dǎo)演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰(zhàn)鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個(gè)故事各自有著不同風(fēng)格及不同戲味！
大明嬪妃之攻心
宋洋,何杜娟,關(guān)慧卿,陳一諾張清遠(yuǎn)死后蘭心終日郁郁寡歡，太子誤以為她還深愛張清遠(yuǎn)，嫉妒不已，故意親近其她妃子來刺激和報(bào)復(fù)蘭心。蘭心本已對太子暗生情愫，見狀卻只能傷懷。 姚芊芊明白了四面楚歌的危險(xiǎn)，為保腹中孩子，她四處籠絡(luò)人心，頗見成效。 王恭妃查出了蘭心和張清遠(yuǎn)的私情，盛怒之下將蘭心打入冷宮。太子偷偷潛入冷宮和蘭心相見，兩人終于明白了對方的深情，情動(dòng)之下有了一夜溫存…… 后來，蘭心被診出懷有身孕，王恭妃卻根本不相信這個(gè)孩子是太子的……
RRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓1920年，英國總督斯科特和他的妻子凱瑟琳訪問阿迪拉巴德的一個(gè)部落，并強(qiáng)行帶走了部落里歌唱天賦異稟的小女孩瑪莉，部落的保護(hù)者比姆（小老虎 飾演）為了救回瑪莉，偽裝成穆斯林。斯科特得知消息后，總督府的底層衛(wèi)兵拉朱（拉姆·查蘭·特哈 飾演）為了升職也同時(shí)為了完成他父親遺愿和他對部落承諾，主動(dòng)請?jiān)缸约嚎梢詫⒈饶反丁１饶泛屠煲蚬餐攘艘粋€(gè)差點(diǎn)葬身火海的小男孩而巧遇，他們并不認(rèn)識(shí)對方，然而兩人也隱藏了自己的真實(shí)身份，相互聯(lián)系，成為摯友。拉朱在一次調(diào)查中發(fā)現(xiàn)自己的摯友就是總督要逮捕的比姆，他一邊是承載了父親的遺愿和整個(gè)部落的承諾，一邊是自己的摯友，他該如何抉擇…..
天啟Z：完結(jié)的起點(diǎn)
何塞·馬利亞·亞茲皮克,貝塔·巴斯克斯,伊里婭·德爾·里奧,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María一種類似狂犬病的疾病在全球傳播開來，將感染者變成極具攻擊性的生物。馬內(nèi)爾帶著他的貓躲在家中，憑借他的智慧生存下來。很快，他們將不得不外出覓食，尋找陸地和海上的安全之所。《天啟Z：完結(jié)的起點(diǎn)》是一個(gè)身體和情感上的生存故事，伴隨著刺激的打斗、緊張的氣氛、瘋狂的感染......以及一只脾氣暴躁的貓。