終極強(qiáng)奸2：原始獸性
兩位女主角分別由林雅詩(shī)，顏仟汶扮演，都挺優(yōu)秀，只不過(guò)在本片里，性愛(ài)鏡頭并不是主題，不需要二人犧牲太多色相。本片實(shí)際上在探討一個(gè)到底走還是不走的問(wèn)題。比魯濱遜幸運(yùn)的是，盡管三人被困孤島，但只要乘個(gè)木筏子，便可能飄回并不遙遠(yuǎn)的大陸。但Rex死活不肯離開(kāi)的，原因很簡(jiǎn)單，離開(kāi)了孤島，不但失去了兩位美人，還有可能被高利貸者追殺。而Lvy暫無(wú)內(nèi)容不同，她男朋友是黑社會(huì)老大，回去后，有享不完的榮華富貴，干嗎要窩在這個(gè)島上受一個(gè)小混混的蹂躪？至于Amy暫無(wú)內(nèi)容，從來(lái)都是沒(méi)主見(jiàn)的，自己的新郎被炸死，不但沒(méi)有表現(xiàn)出任何悲傷，反而以最快的速度投進(jìn)另一個(gè)男人的懷抱——這樣的女人，當(dāng)然只會(huì)聽(tīng)從Rex暫無(wú)內(nèi)容的話。因此，在相當(dāng)長(zhǎng)一段時(shí)間內(nèi)，三人都沒(méi)能走得成。
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星河戰(zhàn)隊(duì)3：掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達(dá)·多諾休,瑪內(nèi)特·帕特森,斯特里奧·薩萬(wàn)特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格一晃十年過(guò)去，地球人和蟲(chóng)族的戰(zhàn)爭(zhēng)如火如荼，愈演愈烈。某日，空軍元帥奧瑪?阿諾克（斯蒂芬?霍根 Stephen Hogan 飾）來(lái)地球人的遠(yuǎn)方農(nóng)場(chǎng)羅庫(kù)山視察，時(shí)任上校的強(qiáng)尼?瑞克（加斯帕?范?迪恩 Casper Van Dien 飾）也一同前來(lái)。在此期間，阿諾克的心智被蟲(chóng)王操控，他切斷了隔離區(qū)的電力，使基地完全失去保護(hù)。是夜，蟲(chóng)族對(duì)隔離區(qū)發(fā)動(dòng)總攻，地球軍雖頑強(qiáng)抵抗，終因寡不敵眾而告敗，基地陷落。阿諾克則和一干心腹逃離，飛船迫降在OM-1行星。 瑞克因失職被軍事法庭判處絞刑，行刑之際被政府秘密部門(mén)救下。阿諾克知曉聯(lián)邦艦隊(duì)基地所在地的秘密，一旦被蟲(chóng)族得知將不堪設(shè)想。因此政府高層要求瑞克帶上一隊(duì)人馬，前去營(yíng)救受困的阿諾克……
罪生咒
與丈夫離婚后，Alice必須承擔(dān)起單親母親的全部責(zé)任，照顧她全心全意愛(ài)著的兒子August，一個(gè)好奇的小男孩。他從小就對(duì)A、他的父親和他自己的故事充滿疑問(wèn)。就連他的母親也從未談起過(guò)他的父親，August15歲那年，神秘的故事開(kāi)始一點(diǎn)一點(diǎn)地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現(xiàn)恐怖的原因。在試圖讓他認(rèn)識(shí)到自己的業(yè)力同時(shí)，Alice相信理性和正義。Alice竭盡全力拯救她所愛(ài)的兒子。但她越是反抗并帶領(lǐng)August遠(yuǎn)離現(xiàn)實(shí)，詭異和奇怪的事件不斷升級(jí)，直到August陷入危險(xiǎn)。決定返回尋找過(guò)去的真相。August生命危在旦夕，當(dāng)Lambam家的門(mén)打開(kāi)時(shí)，里面的木樁從過(guò)去一直建到了現(xiàn)在，與她一起打開(kāi)的是Lambam家的老管理員Cherd叔叔，他知道整個(gè)故事。業(yè)力和所欠的誓言已經(jīng)開(kāi)始要求償還
黑羊
克里斯·法利,David Spade,Tim MathesonAl（提姆·麥錫森 Tim Matheson 飾）是個(gè)十分被看好的州長(zhǎng)候選人，很怕因?yàn)樗谋康袄系躆ike（克里斯·法雷 Chris Farley 飾）蒙羞，于是雇了Steve（大衛(wèi)·斯佩德 David Spade 飾）來(lái)看管Mike以免他出什么亂子，從這一刻起就狀況百出、 笑料不斷。 全片就像是一個(gè)喜劇大雜燴，讓您捧腹大笑，跌破眼鏡。
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
兩個(gè)世界一個(gè)愿望
漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen一位世界著名的考古學(xué)家和一位務(wù)實(shí)的律師在童年紐帶多年后重新聯(lián)系，當(dāng)時(shí)他們天真無(wú)邪的友誼變成了堅(jiān)不可破的東西。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.