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新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·希克曼,賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo龍兄鼠弟
阿諾·施瓦辛格,丹尼·德維托,凱利·普雷斯頓,科洛·韋伯,邦妮·芭利特,特雷·威爾遜,馬紹爾·貝爾,大衛·卡羅素,休·歐布萊恩,內赫米亞·佩爾索夫,莫里·柴金,托尼·杰尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰 , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標 , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語喬挫敗的人生劫案
凱瑞·克勞利,布里德·布倫南,Eva-Jane Gaffney,肖恩·T·O·米爾萊,Marcus Lamb,阿特·帕金森,Naseen Morgan,Niall Mac Eachmharcaigh,Brid Ní Chumhaill,Christopher Grant,Eoghan Mac Giolla Bhrighde同類推薦
像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson一位身無分文的同志演員和一位因生意失敗而陷入困境的高層人物在一個冬夜相遇,并聯手在倫敦各地尋找他們悲慘生活的意義,但當他們看似不可能的聯系變成了更深層次的東西時,來自過去的恐懼和心魔開始危及他們的生活。
我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam2014年,阿根廷圖庫曼省;一名年輕女性因劇烈腹痛入院,當時她并不知道自己已有身孕。醒來時,她發現自己被手銬銬在輪床上,周圍全是警察。她被指控自行墮胎,在拘留兩年后,因加重殺人罪被判處八年監禁。 圖庫曼省的一位女律師將為她的自由而戰,數千名女性與眾多組織紛紛聲援,她們團結起來,試圖改變歷史的走向。
極限審判
克里斯·帕拉特,麗貝卡·弗格森,卡莉·瑞斯,安娜貝爾·沃利斯,克里斯·沙利文,凱萊·羅杰斯,杰夫·皮埃爾,拉菲·格拉沃恩,肯尼斯·崔,杰米·麥克布萊德,羅斯·格斯拉,馬克·達內里,海頓·道爾頓,邁克爾·C·馬洪,諾亞·費恩利,庫里·普拉特,杰·杰克遜,馬哈茂德·馬哈茂德,安雅·阿克斯丁,理查德·賽特倫警探雷文(克里斯·帕拉特 飾)突遭指控,陷入殺妻疑云,被推上由AI判官裁決的審判席。90分鐘倒計時啟動,他必須借助AI“天眼”系統,在海量數據中尋找翻盤證據,推翻指向自己的致命結論,否則將被當庭處死。然而,調查越深入,嫌疑人越多,數據卻不斷自我驗證、層層鎖死真相。當算法 構成無法破解的死局,人類還能否掙脫系統的最終裁決?
牛排
埃里克·朱多爾,朗齊·貝迪亞,喬納森·朗貝爾,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什維特·蘭黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.