劇情簡介
一個女性泌尿 Straggles 找到病人, 直到她決定用她自己的身體來治療病人, 從而導致成功。
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皇家酒店謀殺案
杰夫·布里吉斯,辛西婭·艾莉佛,達科塔·約翰遜,喬恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,劉易斯·普爾曼,尼克·奧弗曼,澤維爾·多蘭,謝伊·惠格姆,馬克·奧布萊恩,查爾斯·哈爾福德,吉姆·奧希爾,瑞貝卡·圖蘭,比利·威克曼,威廉·B·戴維斯,曼尼·賈希尼托,喬納森·懷特賽爾,凱瑟琳·伊莎貝爾,薩拉·史密斯故事圍繞上世紀60年代，七個心懷秘密的陌生人，在一個破舊的有著黑暗歷史的皇家酒店相遇。在宿命之夜，每個人緊握最后的機會。
猩瘋血雨
約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪暑期返回夏威夷的露西（約翰尼·斯奎婭飾）與父親亞當（特洛伊·科特蘇爾 飾）、妹妹艾琳及寵物黑猩猩本團聚。趁父親因工作離家，露西與好友凱特（Kate）、漢娜（杰西卡·亞歷山大 飾）及凱特的哥哥尼克策劃了一場泳池派對。派對期間，本被一只患有狂犬病的動物咬傷，溫順的黑猩猩逐漸變得兇殘。眾人被迫困在泳池內，且在無法求援的絕境中，必須協作智斗發狂的本以保全性命。
寄宿房
桑德琳娜·米歇爾,阿里·伊爾漢姆,Cassandra LeeThe boarding house residents felt something strange in their residence. Rumors circulated that the cheap boarding house asked for a sacrifice in the form of someone's life. One of the apparitions they often saw was a terrifying pocong.
懷舊者
朗貝爾·維爾森,薩繆爾·喬斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
安·李的遺囑
阿曼達·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛·卡勒這部電影設定在18世紀的英格蘭，并“靈感來源”于真實事件，是一部關于宗教領袖安·李（Ann Lee）的“史詩寓言”，安·李是謝克教運動的創始人，且被她的追隨者宣稱為“女性基督”。
尸骨袋2
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說。 暢銷小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅，夢到裝在袋子里的腐爛尸骨，夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財萬貫的祖父對小女孩的撫養權爭奪戰，并不時遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢，還有神秘鬼魂的騷擾，都讓他意識到，這個小鎮隱藏著一些秘密，而死去的Jo也有事情想要告訴他……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.