手拉手

? 1.3 播放：01萬 2026-04-22

裘金去巴黎原本是為了修補巴黎歌劇院受損的鏡子，卻不期而遇了舞蹈總監艾蓮，兩人一時忘情竟然無法自制的熱吻起來，親吻過后，之前素未謀面的兩個人居然毫無緣由的做起相同的動作，不僅是在跳舞的時候，還包括生活中，無論是刷牙、行走、站著、坐著、上廁所以及睡覺......

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劇情提要

裘金去巴黎原本是為了修補巴黎歌劇院受損的鏡子，卻不期而遇了舞蹈總監艾蓮，兩人一時忘情竟然無法自制的熱吻起來，親吻過后，之前素未謀面的兩個人居然毫無緣由的做起相同的動作，不僅是在跳舞的時候，還包括生活中，無論是刷牙、行走、站著、坐著、上廁所以及睡覺......

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

鬼影2025

達爾文是一名攝影師，他發現有個神秘女人總出現在自己的照片中。當這個幽靈般的身影開始在現實生活中顯現時，他的女友皮亞開始調查這個鬼魂的身份，最終發現它與一名名叫莉莉斯的前大學學生有關。當達爾文的朋友們開始陸續死亡時，皮亞懷疑這些鬼魂事件與達爾文的過去惡行有關。