女子學校拷問部 ちょっとかわいいアイアンメイデン (2014)

? 3.7 播放:98萬 2026-04-22

  被稱為永遠蘿莉系平面偶像的女星木島法子在11月2日未發行的電影《女子高校拷問部》中上演全 裸拷問S M戲,以及同 性激情戲,女星魂大爆發。   由在「PSYCHO-PASS」和老虛合作的腳本深見真原作,α AlfLayla作畫的拷問4格漫畫「女子高校拷問部」宣布改編真人電影,目前電影的海報公開,恥度讓人無法直視!   據悉,電影將在今年7月19日在日本全國上映。。。   木島法子從16歲開始作為平面偶像出道,她的寫真DVD在購物網站銷量總是排第一。   她主演的《女子高校拷問部》根據因離奇設定而倍受歡迎的同名漫畫改編,片中有捆綁、滴蠟燭、鞭打、吊起來等SM畫面,當然也包括女同戲份。   木島法子說:“雖然很多都是第一次嘗試,但既然決定做我就討厭半吊子,所以非常努力演出。我原本就很喜歡可愛的女孩,拍攝時一直想著演對手戲的吉住春奈,感覺喜歡上她了,所以和她拍的床戲我沒有任何抵觸心理,表現也很大膽。”   據悉,片中最讓木島法子痛苦的就是“蟲刑”,她的手被綁住,無數甲蟲的幼蟲在她全身蠕動,是很瘋狂的一種SM。木島法子說:“我真是很受不了,光看照片都夠難受了,可那都是工作人員辛苦養大的,把本來很小的幼蟲養得肥大……拍完那個我都哭了。”   木島法子飾演的角色還從M轉變成了S,隨著拍攝進展她要讓對手戲演員受傷,因為不忍傷害別人手下留情,結果反復拍了多次才成功。   片中木島法子還有一段自慰的戲份,她說:“那個真的好難,我看了導演的上一部作品學習,在家練習,拍攝完后導演還表揚我很棒。今后如果有需要我還可以全裸上鏡。”

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? 播放 女子學校拷問部 ちょっとかわいいアイアンメイデン (2014)

劇情提要

  被稱為永遠蘿莉系平面偶像的女星木島法子在11月2日未發行的電影《女子高校拷問部》中上演全 裸拷問S M戲,以及同 性激情戲,女星魂大爆發。   由在「PSYCHO-PASS」和老虛合作的腳本深見真原作,α AlfLayla作畫的拷問4格漫畫「女子高校拷問部」宣布改編真人電影,目前電影的海報公開,恥度讓人無法直視!   據悉,電影將在今年7月19日在日本全國上映。。。   木島法子從16歲開始作為平面偶像出道,她的寫真DVD在購物網站銷量總是排第一。   她主演的《女子高校拷問部》根據因離奇設定而倍受歡迎的同名漫畫改編,片中有捆綁、滴蠟燭、鞭打、吊起來等SM畫面,當然也包括女同戲份。   木島法子說:“雖然很多都是第一次嘗試,但既然決定做我就討厭半吊子,所以非常努力演出。我原本就很喜歡可愛的女孩,拍攝時一直想著演對手戲的吉住春奈,感覺喜歡上她了,所以和她拍的床戲我沒有任何抵觸心理,表現也很大膽。”   據悉,片中最讓木島法子痛苦的就是“蟲刑”,她的手被綁住,無數甲蟲的幼蟲在她全身蠕動,是很瘋狂的一種SM。木島法子說:“我真是很受不了,光看照片都夠難受了,可那都是工作人員辛苦養大的,把本來很小的幼蟲養得肥大……拍完那個我都哭了。”   木島法子飾演的角色還從M轉變成了S,隨著拍攝進展她要讓對手戲演員受傷,因為不忍傷害別人手下留情,結果反復拍了多次才成功。   片中木島法子還有一段自慰的戲份,她說:“那個真的好難,我看了導演的上一部作品學習,在家練習,拍攝完后導演還表揚我很棒。今后如果有需要我還可以全裸上鏡。”

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

毛骨悚然撞鬼經 2013夏季特別篇

  《恐怖的二樓》少年畑野龍(鈴木福 飾)似乎天生具有靈視的能力,他和外婆、媽媽(YOU 飾)搬到新家,結果發現他們不是這里的唯一住戶。小龍看見了女鬼,可是媽媽卻不相信;《X醫院》信心受挫的實習醫生佐佐木直樹(藤谷太輔 飾)倍感壓力,在此期間,各種詭異事件也交替在他身邊出現,令他疲于奔命;《影子的暗示》厭倦了枯燥的工作,遠山美和(深田恭子 飾)計劃轉職旅游公司,期間她時常會看見神秘黑影,而黑影所至之處必然發生災難;《女子高中大危機》在女子高中任教的澤木洋介(坂口憲二 飾),其班上名叫亞里沙的女孩似乎制作了一個地下網站,他沒有料到,恐怖的危機正慢慢降臨這所高中;《蠕動的人偶》園田里菜(指原莉乃 飾)在街上相中了一個士兵人偶,于是不假思索將其買了下來,誰知這個仿佛有生命的玩偶正漸漸影響她的生活。