安娜的情人
主人翁安娜已是第二次結婚，今次其丈夫為Fosco。Fosco因偷運文物入獄，意外地安娜戀上兒子Livio，并尋回年輕時戀愛的旖旎感覺。Fosco出獄后驚覺此事，以武力奪回安娜的肉體
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Rachel Armiger,Alexandria Benford,Ashleigh Coffelt,Alyssa Dalgleish,Parker Damm,Sterritt David,Eileen del Valle,Reed DeLisle,Consuelo M. Edwards,Jaime Horrigan,Kenny Johnson,Mike Jones,Seth Adam Kallick,Matt Lake,Erik Kristopher Myers,艾德亞多·桑奇茲,蓋文·約克A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
父影之下
索佩·迪瑞蘇,Godwin Egbo,Chibuike Marvelous Egbo,Efòn Wini,Tosin Adeyemi,Adesina McCoy Babalola,Lawrence Chu,Yetunde Coker,Akerele David,瓦萊·戴維斯,Patrick Diabuah,Paul Edobor,瑪莎·厄赫諾梅,Adodo Emmanuel,Patrick Essien,Olarotimi Fakunle,Ikechukwu Gabriel,Fred Ideh,Ebuka雷米與阿金這對小哥倆，終得與疏離多年的父親弗拉林共享難得一日。三人游走在初次相見的巨型都市拉各斯，少年窺見鋼筋森林的奇觀，亦目睹父親謀生路上的重重難關。此刻整座城市正籠罩在1993年總統大選結果的巨大陰云之下，而父子三人的歸家之路，竟也成了選票漩渦中飄搖的未知數。
亞當·桑德勒：愛你
丹·布拉,Jonathan Loughran,亞當·桑德勒,杰姬·桑德勒,羅伯·施奈德A new comedy special from Adam Sandler directed by Josh Safdie (making his comedy special directorial debut), Adam Sandler: Love You premieres globally on Netflix on August 27, 2024.
好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶變裝皇后家好與家人疏離，因媽媽罹患失智癥需貼身照顧，才久違回了家。母親記憶力衰退，不斷提起家好童年軼事，耿耿于懷。有次家好忘記卸妝被母親撞見，為安撫她，只好謊稱自己是母親失散多年的女兒，怎料母親信以為真，令家好展開一段療愈原生家庭創傷之旅。到底家好是否可以月圓？王國燊繼《男兒王》又一變裝皇后力作，聯同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳，將新加坡變裝皇后Sammi Zhen真實故事搬上大銀幕。
牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰結識小明（楊靜怡）前，小四（張震）是典型的乖仔，是父母的希望和兄妹的驕傲（一家人指望他考上名牌大學將來提升全家的社會地位），他有一個喜歡搖滾樂的自稱“小貓王（王啟贊）”的好友，兩人雖會去樹林看人幽會，但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活。 喜歡上小明后 ，小四便像跌進一個無底深淵，開始被外界的各種力量牽著鼻子走。新識仰慕對象honey（林鴻銘）意外身亡，一向敬重的父親的自尊與精神因為某次事件嚴重受損，加上將一次次“欺騙玩弄”他感情的小明“看透”，血氣方剛又有很強道德感的小四終于走上犯罪的道路，期望用自己的刀結束事件的根源。但小四不知的是，他眼中的根源只是這條食物鏈中微不足道的一環。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.