影片推薦
格拉德貝克人質事件
薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納大蛇5:怪獸都市
張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡利刃之刀鋒戰士
魏小歡,張博楠,馬暢,劉冰健聽女孩
艾米莉亞·瓊斯,特洛伊·科特蘇爾,瑪麗·瑪特琳,丹尼爾·杜蘭特,歐赫尼奧·德爾維斯,福迪亞·瓦爾什-匹羅,艾米·福賽思,凱文·查普曼,約翰·菲奧里,朗尼·法默,科特蘭·瓊斯,莫莉·貝絲·托馬斯,阿雅娜·布朗,杰森·普加奇,基亞娜·法內,安尼莉·利斯特,史蒂芬·卡利斯坎,何塞·岡斯·阿爾維斯,歐文·伯克,梅利莎·麥克米金,埃里卡·麥克德莫特,瑪麗·安·紹布,莎拉·克拉克,大衛·紐森,大衛·布肯德爾,理查德·錢德勒,羅布·勒維克,琪拉·皮查多造孽
斯蒂凡尼·埃斯特斯,扎克·沃德,湯姆·格林,莎儂·多赫提,里昂·拉瑟姆,蘇菲·迪伊,費莉莎·羅斯,Kevin Porter,基思·雅各,John Murray,James Cullen Bressack,托馬斯·唐尼同類精選
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪迪奧,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇庫梅爾·南賈尼:夜間思緒
庫梅爾·南賈尼平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina星辰之怒
杰克·麥克維,安德里亞·提瓦塔,Elijah Rowen,奧塔爾·薩拉利茲,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron開端2025
崔娜·蒂虹,大衛·丹席克,比約克·斯托姆,Luna Fuglsang Svelm?e,約翰·路易斯·施密特,Christine Gjerulff,Hanne Uldal,庫爾特·德萊耶,Christopher Nallo,Frederik Malmose,Josva Engedal Jacobsen,Klaus S?ndergaard,Andrea Enerstad Bolle,Alvin Burs?e,Karen Marie Holst Gudichsen,Noora Sofie Hjorth Biil百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀,種崎敦美,悠木碧,內田雄馬,內山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽彩,杉田智和影視排行
猩球崛起:新世界
歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達布茲,尼娜·加拉斯故事設定在“猿流感”病毒蔓延全球的背景下,人類幾近毀滅,而進化為高級智慧生物的猿類一躍成為食物鏈頂端的王者。時移世異,暴虐的猿類首領賽撒(凱文·杜蘭 Kevin Durand 飾)在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起,這是世界新秩序誕生的黎明時分。神秘的人類女孩諾娃(弗蕾婭·艾倫 Freya Allan 飾)的出現,引起了賽撒的警覺。她似乎掌握著一個巨大的秘密,不僅關乎人類的存亡,甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中,與青年猿類諾亞(歐文·泰格 Owen Teague 飾)的命運交匯,揭開了一段冒險的旅程。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
機械姬
艾麗西亞·維坎德,多姆納爾·格里森,奧斯卡·伊薩克,水野索諾婭,克里·約翰遜,Claire Selby,Symara A. Templeman,嘎娜·巴亞爾賽汗,Tiffany Pisani,伊蓮娜·艾爾米納斯,李仙湖,黛博拉·羅桑,喬安娜·希雅,艾薇·維效力于某知名搜索引擎公司的程序員加利·史密斯(多姆納爾·格利森 Domhnall Gleeson 飾)幸運地抽中老板納森(奧斯卡?伊薩克 Oscar Isaac 飾)所開出的大獎,他將受邀前往位于深山的別墅中和老板共度假期。在與世隔絕的別墅中,納森親切地接待了這位員工。 事實上他邀請加利到來還有另一個目的,那就是協助他完成其所開發的智能機器人的測試。天才一般的納森研制了具有獨立思考能力的智能機器人伊娃(艾麗西亞·維坎德 Alicia Vikander 飾),為了確認她是否具有獨立思考的能力,他希望加利能為伊娃進行著名的“圖靈測試”。似乎從第一眼開始,加利便為這臺有著宛如人類般姣好容顏的機器人所吸引。 在隨后的交流中,他所面對的似乎不是冷冰冰的機器,而更像是一個被無辜囚禁起來的可憐少女……
月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue肖恩·利維將再次合作老搭檔二十世紀福斯,執導新片[隕石坑](Crater,暫譯),利維也將約翰·J·格里芬執筆的原創劇本進行改編。故事被描述為科幻版的[ 伴我同行 ],講述在月球殖民地長大的男孩,和三個小伙伴共同前往一處神秘隕石坑探秘,不料卻發生意外。影片劇本曾經入選2015年“好萊塢劇本黑名單”。