暴風(fēng)雨中，3名女子學(xué)校的學(xué)生被困在地下坑里，他們必須直面各自的內(nèi)心沖突，奮力求生。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　死黨阿華，師爺仔及飛牛三人分別任職于會計(jì)，律師樓及警員。他們均喜歡包租婆的女兒蒙珠。一日，阿華知道會有巨額運(yùn)抵公司及發(fā)現(xiàn)有賊人已鋪好路線偷款。于是將計(jì)就計(jì)，他們預(yù)先偷走巨款，然后嫁禍給劫匪。雖然錢得手，但全是廢紙，而煩惱才剛剛開始……

 孤獨(dú)的科學(xué)怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來到了1930年代的芝加哥，懇請頂級科學(xué)家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創(chuàng)造”的命運(yùn)？在暗黑混沌的逃亡路上，一場女性覺醒風(fēng)暴開始席卷整個世界。